12 March 10 | E.J. Van Lanen | Comments

So, even though we’re in danger right now of becoming a blog that only writes about book prizes (or maybe I’m only feeling that way because the Best Translated Book Award has been on my mind for so long), we would be remiss if we didn’t make mention of the Independent Foreign Fiction Prize Longlist:

  • Boris Akunin The Coronation (translated by Andrew Bromfield from the Russian) Weidenfeld & Nicolson
  • Ketil Bjørnstad To Music (Deborah Dawkin & Erik Skuggevik; Norwegian) Maia Press
  • Hassan Blasim The Madman of Freedom Square (Jonathan Wright; Arabic) Comma Press
  • Philippe Claudel Brodeck’s Report (John Cullen; French) MacLehose Press
  • Julia Franck The Blind Side of the Heart (Anthea Bell; German) Harvill Secker
  • Pietro Grossi Fists (Howard Curtis; Italian) Pushkin Press
  • Elias Khoury Yalo (Humphrey Davies; Arabic) MacLehose Press
  • Jonathan Littell The Kindly Ones (Charlotte Mandell; French) Chatto & Windus
  • Alain Mabanckou Broken Glass (Helen Stevenson; French) Serpent’s Tail
  • Javier Marías Your Face Tomorrow, Volume 3: Poison, Shadow and Farewell (Margaret Jull Costa; Spanish) Chatto & Windus
  • Yoko Ogawa The Housekeeper and the Professor (Stephen Snyder; Japanese) Harvill Secker
  • Claudia Piñeiro Thursday Night Widows (Miranda France; Spanish) Bitter Lemon Press
  • Sankar Chowringhee (Arunava Sinha; Bengali) Atlantic
  • Rafik Schami The Dark Side of Love (Anthea Bell; German) Arabia Books
  • Bahaa Taher Sunset Oasis (Humphrey Davies; Arabic) Sceptre

There are a few things to note: Although the bigger presses, or big name presses, are well represented, it’s interesting to note how much of the heavy lifting for translation in the UK is done by smaller independent presses (Comma, Maia, Bitter Lemon); there are three books (three!) that are translated from Arabic, which has to be some kind of record; and Humphrey Davies and Anthea Bell have the knack—two nominated titles each.

....
Anna Karenina
Anna Karenina by Leo Tolstoy
Reviewed by Christopher Iacono

For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .

Read More >

The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

Read More >

This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

A Dilemma
A Dilemma by Joris-Karl Hyusmans
Reviewed by Christopher Iacono

In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .

Read More >

Walker on Water
Walker on Water by Kristiina Ehin
Reviewed by P. T. Smith

There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .

Read More >

The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

Read More >

Pavane for a Dead Princess
Pavane for a Dead Princess by Park Min-Gyu
Reviewed by Christopher Iacono

In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .

Read More >