Following on the last post about December being a month of year-end donations, it’s also a month of submitting applications and books for a variety of awards. So here’s the first of three posts about various book prizes:
On behalf of the Donald Keene Center of Japanese Culture at Columbia University, I am pleased to announce that submissions are now being accepted for the 2010 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature.
For over twenty years, the Keene Center and the Japan-U.S. Friendship Commission have annually awarded a monetary prize (current annual total: $6,000) to deserving American recipients whose works represent outstanding translation of Japanese literature. We would appreciate your support in making this year’s competition our most successful. A prize in the amount of $3,000 is given for the best translation of a modern work and for the best translation of a classical work, or at times the prize is divided between two equally distinguished translations regardless of category.
To qualify, submissions must be book-length translations of Japanese literature: novels, collections of short stories, literary essays, memoirs, drama, and poetry are all acceptable. Furthermore, all applicants must be citizens or permanent residents of the United States. Submissions are judged on the literary merit of the translation and the accuracy with which it reflects the spirit of the Japanese original. Eligible submissions may include unpublished manuscripts, works in press, or books published within two years of the prize date (works published before January 1, 2008, will not be accepted). Applications may be submitted by individual translators or their publishers. Past winners and previously submitted works are ineligible.
Required application materials include: seven (7) copies of the English translation; one (1) copy of the Japanese original; seven (7) copies of the translator’s CV or resume; and seven (7) copies of the application form. Letters of support or recommendation are also encouraged.
The deadline for submissions for the 2010 Translation Prize is Tuesday, January 19, 2010.
For additional information, please visit the Keene Center Web site..
There you go . . . And stay tuned for info if you’re a publisher/translator of a French book, or someone wanting to get in on the Best Translated Book Award for Poetry . . .
Richard Nash is teaching a class with the above title at Columbia this spring. Sounds really interesting:
Forty years ago Roland Barthes announced the “Death of the Author,” yet not only are there more authors than ever, but more with more blogs, websites, and YouTube trailers. Now, it is the “Death of Print” that has been announced. Is this obituary greatly exaggerated? Or, if true, is print even mourned?
With the help of a tremendously eclectic reading list comprising philosophy, gossip, true crime, cultural anthropology, poetry, and fiction of all stripes, we’re going to examine the evolution of the book publishing industry so as to delineate the possibilities for the cultural and economic role of the writer and editor in the coming decades.
Since I referenced this earlier, and since it’s just a few weeks away, I feel like I should post some information about the National Grad Student Translation Conference that the Center for Literary Translation at Columbia University will be hosting From March 28th through the 30th.
As stated in this press release this is the third biennial translation conference (the first two took place at UCLA and the University of Iowa). All events are free and open to the public, and more info can be found at the Center for Literary Translation website.
I hate to do this, but to fit an image of the conference poster into this column made it basically unreadable, but here’s a link to a pdf version.
The keynote event is a discussion between the Fifteenth Poet Laureate of the United States, Charles Simic and Academic Director of the Center for Literary Translation, Michael Scammell that will take place at Columbia’s Casa Italiana.
A number of the events sound fantastic, especially the opening reading (which Open Letter is actually sponsoring):
Friday, March 28 at 7:30 pm
Philosophy Hall 301
Karen Emmerich, translator of Poems (1945-1971) by Miltos
Sachtouris; Idra Novey, translator of The Clean Shirt of It
by Paulo Henriques Britto; Lisa Lubasch, translator of Paul
Éluard’s A Moral Lesson; Peter Wortsman, a translator of
Heinrich Heine, Robert Musil, and others.
Saturday’s events include roundtables on “Multilingualism and Translation,” “Translation and Publishing,” “Translation and the Academy,” and “Translation and Canon Formation.”
Two roundtable discussions will take place on Sunday: “Translation and Theory” and “Translation Ethics, Censorship, Speaking Out.”
With a stellar list of participates—including Alfred MacAdam, Susan Bernofsky, Eliot Weinberger, Dedi Felman, Jill Schoolman, and many, many more—this should be a really interesting conference. One that I’ll definitely blog about in excruciating detail . . .
“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .
With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .
In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .
You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .
The narrative history of. . .
Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .
Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .
I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .