Following on the last post about December being a month of year-end donations, it’s also a month of submitting applications and books for a variety of awards. So here’s the first of three posts about various book prizes:
On behalf of the Donald Keene Center of Japanese Culture at Columbia University, I am pleased to announce that submissions are now being accepted for the 2010 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature.
For over twenty years, the Keene Center and the Japan-U.S. Friendship Commission have annually awarded a monetary prize (current annual total: $6,000) to deserving American recipients whose works represent outstanding translation of Japanese literature. We would appreciate your support in making this year’s competition our most successful. A prize in the amount of $3,000 is given for the best translation of a modern work and for the best translation of a classical work, or at times the prize is divided between two equally distinguished translations regardless of category.
To qualify, submissions must be book-length translations of Japanese literature: novels, collections of short stories, literary essays, memoirs, drama, and poetry are all acceptable. Furthermore, all applicants must be citizens or permanent residents of the United States. Submissions are judged on the literary merit of the translation and the accuracy with which it reflects the spirit of the Japanese original. Eligible submissions may include unpublished manuscripts, works in press, or books published within two years of the prize date (works published before January 1, 2008, will not be accepted). Applications may be submitted by individual translators or their publishers. Past winners and previously submitted works are ineligible.
Required application materials include: seven (7) copies of the English translation; one (1) copy of the Japanese original; seven (7) copies of the translator’s CV or resume; and seven (7) copies of the application form. Letters of support or recommendation are also encouraged.
The deadline for submissions for the 2010 Translation Prize is Tuesday, January 19, 2010.
For additional information, please visit the Keene Center Web site..
There you go . . . And stay tuned for info if you’re a publisher/translator of a French book, or someone wanting to get in on the Best Translated Book Award for Poetry . . .
Richard Nash is teaching a class with the above title at Columbia this spring. Sounds really interesting:
Forty years ago Roland Barthes announced the “Death of the Author,” yet not only are there more authors than ever, but more with more blogs, websites, and YouTube trailers. Now, it is the “Death of Print” that has been announced. Is this obituary greatly exaggerated? Or, if true, is print even mourned?
With the help of a tremendously eclectic reading list comprising philosophy, gossip, true crime, cultural anthropology, poetry, and fiction of all stripes, we’re going to examine the evolution of the book publishing industry so as to delineate the possibilities for the cultural and economic role of the writer and editor in the coming decades.
Since I referenced this earlier, and since it’s just a few weeks away, I feel like I should post some information about the National Grad Student Translation Conference that the Center for Literary Translation at Columbia University will be hosting From March 28th through the 30th.
As stated in this press release this is the third biennial translation conference (the first two took place at UCLA and the University of Iowa). All events are free and open to the public, and more info can be found at the Center for Literary Translation website.
I hate to do this, but to fit an image of the conference poster into this column made it basically unreadable, but here’s a link to a pdf version.
The keynote event is a discussion between the Fifteenth Poet Laureate of the United States, Charles Simic and Academic Director of the Center for Literary Translation, Michael Scammell that will take place at Columbia’s Casa Italiana.
A number of the events sound fantastic, especially the opening reading (which Open Letter is actually sponsoring):
Friday, March 28 at 7:30 pm
Philosophy Hall 301
Karen Emmerich, translator of Poems (1945-1971) by Miltos
Sachtouris; Idra Novey, translator of The Clean Shirt of It
by Paulo Henriques Britto; Lisa Lubasch, translator of Paul
Éluard’s A Moral Lesson; Peter Wortsman, a translator of
Heinrich Heine, Robert Musil, and others.
Saturday’s events include roundtables on “Multilingualism and Translation,” “Translation and Publishing,” “Translation and the Academy,” and “Translation and Canon Formation.”
Two roundtable discussions will take place on Sunday: “Translation and Theory” and “Translation Ethics, Censorship, Speaking Out.”
With a stellar list of participates—including Alfred MacAdam, Susan Bernofsky, Eliot Weinberger, Dedi Felman, Jill Schoolman, and many, many more—this should be a really interesting conference. One that I’ll definitely blog about in excruciating detail . . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .