On the same day that we try and celebrate literature in translation, Houghton Mifflin Harcourt (still trying to bring their website into the 1990s) fired Drenka Willen one of the most influential editors of international literature of the past half-century. She’s responsible for Harcourt’s string of great foreign authors, like Gunter Grass and Jose Saramago and Italo Calvino and on and on.
Sure, I haven’t finished my MBA and don’t understand “business,” but I think this is a blindly stupid decision. I can’t imagine many of Drenka’s living authors—Umberto Eco, Saramago, etc.—will be all that thrilled to publish their future works with Houghton Mifflin Harcourt. And why did Houghton Mifflin buy Harcourt in the first place? One would hope that the world-class caliber of authors Drenka had acquired and cultivated was one of the reasons . . .
It’s clear that HMH is in turmoil, and based on these recent decisions (freezing acquisitions, firing top editors, complete fail on digital initiatives) I feel pretty safe in saying that HMH is not a publisher I’ll be paying any attention to in the future.
On a happier note, here’s a nice profile that PW did back in 2002.
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .