6 August 07 | Chad W. Post | Comments

The August 6th set of Publisher Weekly fiction reviews are now online and feature a couple of interesting books in translation.

The first is Cries in the Drizzle (which sounds like a translated title) by Yu Hua “depicts a family’s life in the Zhejiang province of Maoist China during the 1970s.” According to PW, “The narrative flits between time and space to create the landscape of Sun Guanglin’s youth [. . .] Though the fractured structure has its disjointed moments, Barr’s translation perfectly captures the ebb and flow of a community on the brink of change.”

Personally, I’m more interested in the review of Christian Oster’s The Unforeseen, the review of which ends with this intriguing statement:

The result is a love story deeply informed by Beckett (complete with the narrator acquiring a limp like that of Molloy‘s title character), where swells of feeling are tracked in sneezes as involuntary as love itself.

I thought A Cleaning Woman was an excellent book—and movie (and not just because I have a crush on the leading actress)—and can’t wait to read this new title. Good to see that someone is still publishing quirky, funny French writers. There are a slew referenced in Warren Motte’s excellent Fables of the Novel, although only a handful of the books he writes about have made it into English.

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Anna Karenina
Anna Karenina by Leo Tolstoy
Reviewed by Christopher Iacono

For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .

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The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

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This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

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A Dilemma
A Dilemma by Joris-Karl Hyusmans
Reviewed by Christopher Iacono

In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .

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Walker on Water
Walker on Water by Kristiina Ehin
Reviewed by P. T. Smith

There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .

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The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

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Pavane for a Dead Princess
Pavane for a Dead Princess by Park Min-Gyu
Reviewed by Christopher Iacono

In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .

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