25 February 09 | E.J. Van Lanen | Comments

The longlist for the Independent Foreign Fiction Prize has (finally!) been announced. Here you go:

  • Voice Over by Céline Curiol (trans. Sam Richard)
  • A Blessed Child by Linn Ullman (trans. Sarah Death)
  • The Blue Fox by Sjon (trans. Victoria Cribb)
  • Friendly Fire by A.B. Yehoshua (trans. Stuart Schoffman)
  • My Father’s Wives by José Eduardo Agualusa (trans. Daniel Hahn)
  • The White King by Gyorgy Dragoman (trans. Paul Olchvary)
  • The Informers by Juan Gabriel Vasquez (trans. Anne McLeane)
  • Homesick by Eshkol Nevo (trans. Sondra Silverstein)
  • Beijing Coma by Ma Jian (trans. Flora Drew)
  • The Diving Pool by Yoko Ogawa (trans Stephen Snyder)
  • Novel 11, Book 18 by Dag Solstad (trans. Sverre Lyngstad)
  • The Director by Alexander Ahndoril (trans. Sarah Death)
  • The Armies by Euelio Rosero (trans. Anne McLean)
  • How the Soldier Repairs the Gramophone by Saša Stanišić‘ (trans. Anthea Bell)
  • The Siege by Ismail Kadare (trans. David Bellos, from the French of Jusuf Vrioni)
  • Night Work by Thomas Glavinic (trans. John Brownjohn)

There’s only two points of contact with the Best Translated Book Award longlist, Celine Curiol’s Voice Over (which made our shortlist) and perennial Independent Foreign Fiction Prize longlister, and sometime prizewinner, José Eduardo Agualusa, whose Book of Chameleons we nominated—My Father’s Wives has yet to find an American publisher, I think.

Overall, it’s a strong list, and if you want more info we have reviews of a few of the books from the longlist:

Only two! Looks like we have some work to do.

29 May 08 | E.J. Van Lanen | Comments

Good news on two fronts from Lillehammer: the internet is free, and they have free coffee in the lobby of the hotel via a Nespresso machine—I’ll have to get one for myself soon.

The festival started off for us yesterday with a lecture by Kjell Ivar Skjerdingstad at the Lillehammer Kunstmuseum. The overall theme of the talk, “Viscosity, or just hanging around: The meaning of presence in contemporary literature”, was a little bit lost on me—I think you needed to be pretty familiar with all of the authors Kjell talked about to see the connections he was drawing—but it was a good overview of contemporary Norwegian literature nonetheless, touching on Graywolf’s Per Petterson and Dag Solstad, our Jan Kjaerstad (whose last name I spent a long time trying to learn how to pronounce over drinks, I think I almost have it), Erlend Loe, Inger Bråtveit (more on her later), and Hanne Ørstavik (who the people from Forlaget Oktober all really love).

After a nice reception/dinner buffet in the museum, the crowd moved on to Bingo’n, a club that is hosting a bunch of events at the festival. Last night’s event featured Inger Bråtveit and Jenny Hval of Rockettothesky. They alternated reading (Inger read from her forthcoming, unfinished novel) and singing—when Jenny Hval first started singing I was absolutely blown away; the songs I linked to on her myspace page don’t do her live performance justice. For the most part it was in Norwegian (some of the songs were in English), so I didn’t understand a word, but the crowd seemed appreciative, although nobody could explain to me exactly what went on when I asked after the performance.

All in all it was a very interesting first day. Today a few Norwegian authors will be presenting their books to us, and then I have a few meetings. I’ll try to post another update tomorrow.

Today’s “Norway-is-expensive” item: 1 bottle of Heineken costs 61 NOK, which is a little more than $12.

....
Bye Bye Blondie
Bye Bye Blondie by Virginie Despentes
Reviewed by Emma Ramadan

Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .

Read More >

La Superba
La Superba by Ilja Leonard Pfeijffer
Reviewed by Anna Alden

Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .

Read More >

Intervenir/Intervene
Intervenir/Intervene by Dolores Dorantes; Rodrigo Flores Sánchez
Reviewed by Vincent Francone

It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .

Read More >

All Days Are Night
All Days Are Night by Peter Stamm
Reviewed by Lori Feathers

As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .

Read More >

The Seven Good Years
The Seven Good Years by Etgar Keret
Reviewed by Vincent Francone

It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .

Read More >

Human Acts
Human Acts by Han Kang
Reviewed by J.C. Sutcliffe

Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .

Read More >

Nowhere to Be Found
Nowhere to Be Found by Bae Suah
Reviewed by Pierce Alquist

It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .

Read More >