One of my all-time favorite books is Georges Perec’s Life: A User’s Manual, and for
months years, I’ve been meaning to reread it.
Well, starting sometime soon, Conversational Reading will be hosting a Big Read of Perec’s classic novel.
No real info up there yet, but as soon as the schedule is announced, I’ll post it here. It’s been ages since I participated in an online book club, and I’m a bit psyched . . . Mostly just to reread Life, but also because Scott does such a great job of getting interesting content about the title under discussion. (I’m not-so-secretly hoping to contribute something myself.)
If you’re interested in joining in, be sure and get a copy of Godine’s revised edition of the book. This version contains some corrections, etc.
For more info about the new edition, and Perec in general, be sure to check out this interview Scott conducted with Godine editor Susan Barba.
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .