Jay Walker explains why two billion people around the world are trying to learn English. He shares photos and spine-tingling audio of Chinese students rehearsing English — “the world’s second language” — by the thousands.
It’s no surprise that more and more Chinese literature is making its way into English (there were 11 original works of fiction and poetry that came out in the U.S. in 2008, and through the first half of 2009, I’ve already identified 9), but this spring has a number of titles that look really fantastic, and that we hope to review in full in the not too distant future.
I started reading Five Spice Street by Can Xue on my trip to New York, and am amazed at how bizarre it is. On the surface things seem somewhat normal . . . well, maybe. Any book with a half-dozen containing a half-dozen page argument (one that involves 28 people) about a character’s age is pretty cool. Can Xue’s been published by Northwestern and New Directions in the past, and as one of the first books in Yale’s Margellos World Republic of Letters series it should get some pretty decent attention.
While in NY, I also picked up a copy of Yu Hua’s Brothers an enormous novel that was shortlisted for the 2008 Man Asian Prize. Yu Hua was profiled in the Times Magazine, and I’m sure this is just the start of the review coverage. (The crap line “The novel, which will be published in an English translation later this month, may also prove to be China’s first successful export of literary fiction” will inevitably catch the eye of a lot of reviewers . . . That, and the size of this book—it’ll break your wrist!—and the fact that Random House is bringing it out.) Here’s the rest of the Times Magazine description:
Certainly, foreign readers will find in its sprawling, rambunctious narrative some of China’s most frenetic transformations and garish contradictions. “Brothers” strikes its characteristic tone with the very first scene, as Li Guang, a business tycoon, sits on his gold-plated toilet, dreaming of space travel even as he mourns the loss of all earthly relations. Li made his money from various entrepreneurial ventures, including hosting a beauty pageant for virgins and selling scrap metal and knockoff designer suits. A quick flashback to his small-town childhood shows him ogling the bottoms of women defecating in a public toilet. Similarly grotesque images proliferate over the next 600 pages as Yu describes, first, the extended trauma of the Cultural Revolution, during which Li and his stepbrother Song Gang witness Red Guards torturing Song Gang’s father to death, and then the moral wasteland of capitalist China, in which Song Gang is forced to surgically enlarge one of his breasts in order to sell breast-enlargement gels.
Following up on the post last week about Columbia University Press, this May they’re bringing out the fantastically titled There’s Nothing I Can Do When I Think of You Late at Night by Naiqian Cao. I’ll read any Asian titles Columbia brings out, but this sounds particularly interesting:
In this genre-defying book, the author’s affection for vivid personalities and unflinching realism comes through in a stark portrait of adultery, bestiality, incest, and vice in rural China. Set near the border of Inner Mongolia, among a cluster of cave dwellings in Shanxi province, these intense vignettes describe the base desires and dark longings of a life lived in virtual isolation.
Finally, coming out from Penguin in April is English by Wang Gang, which, according to the Penguin site, is about a twelve-year-old boy learning English in the stifling atmosphere of Xinjiang in China’s remote northwest during the time of the Cultural Revolution. Editor John Siciliano highly recommended this to me, and I’m planning on reviewing it once we receive a galley . . .
(Paper Republic. is by far the best place online to get information about Chinese literature both translated and untranslated. Definitely worth checking out.)
In China, this sort of free-form adoption of English is helped along by a shortage of native English-speaking teachers, who are hard to keep happy in rural areas for long stretches of time. An estimated 300 million Chinese — roughly equivalent to the total US population — read and write English but don’t get enough quality spoken practice. The likely consequence of all this? In the future, more and more spoken English will sound increasingly like Chinese.
The Telegraph has finally said what we (read: I) all (read: me, again) knew to be true. Smoking bans kill literature—in this case, English lit. Overblown poppycock, you say? Bollox. Tongue-in-cheek, it may be, but read this and feel shame for the last time you selfishly complained that fear of inoperable cancer was ruining your Yorkshire pudding. Here’s a taste:
This attack on basic liberty, which was allowed through without any significant protest, might mark the end not merely of smoking, but of literature.
A little over the top? Perhaps. Or maybe is not nearly a little over the top enough1.
1 In the spirit of full disclosure, I should say that I am, indeed, a smoker; I romanticize death by consumption; I sternly believe that etc.; etc.; etc., . . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .