19 May 14 | Kaija Straumanis | Comments

In a story of two emotionally distant people, Japanese author Takashi Hiraide expertly evokes powerful feelings of love, loss, and friendship in his novel The Guest Cat. The life of the unnamed narrator and his wife, both writers, is calm and simple until the appearance of their neighbors’ cat, Chibi. Warmth and caring slowly seep into their relationship, with each other and with Chibi, due to the cat’s appearance. Gradually their lives change in subtle yet impactful ways. Finding out they have to leave their home coincides with an abrupt end to Chibi’s visits, and suddenly their newly established lifestyle is in disarray. The narrator describes his life experiences, relationships, and surroundings with simple clarity and beautiful awareness. At one point, as an attempted distraction from loss, the narrator immerses himself in a book on geometry and his reflection on this tactic illustrates his voice throughout the novel:

But perhaps I had embarked on this line of thought merely to distract myself from my own anger and grief. It’s not as if I was actually prepared to waste my time attempting to perform triangular surveying. I was merely seeking comfort in the thought that something as serenely transparent as an ancient surveying method might be applicable to this place of loss and bewilderment where I now found myself.

Having published numerous books of poetry, Hiraide’s poetic experience shines through in his prose as well. His language is gentle and deliberate, pulling the reader in with meticulous details, a style that fits perfectly with the generally peaceful course of the characters’ lives. While focused on one clear plotline, Hiraide’s storytelling, translated to English by Eric Selland, incorporates smaller transformations and events along the way that give The Guest Cat even more depth. The narrator’s description of fate at the beginning foreshadows the set up of the novel, both stylistically and contextually:

As it surges forward people flee, but ultimately they succumb to the water’s momentum. Nothing—no one escapes.
Living beings, in turning a corner, or in producing the movements required to enter the crack in a certain partially opened door, are endowed with certain properties, something which produces its own little river. These daily movements are repeated, and a certain tendency—a certain current if you will—is generated. Then this minor current, because it is a current, must at some point flow into a larger river.

The seemingly minor subplots of Hiraide’s The Guest Cat merge throughout the novel to create a forceful narrative that will captivate any reader.

....
The Truce
The Truce by Mario Benedetti
Reviewed by Adrianne Aron

Mario Benedetti (1920-2009), Uruguay’s most beloved writer, was a man who loved to bend the rules. He gave his haikus as many syllables as fit his mood, and wrote a play divided into sections instead of acts. In his country,. . .

Read More >

I Am a Season That Does Not Exist in the World
I Am a Season That Does Not Exist in the World by Kim Kyung Ju
Reviewed by Jacob Rogers

Kim Kyung Ju’s I Am a Season That Does Not Exist in the World, translated from the Korean by Jake Levine, is a wonderful absurdist poetry collection. It’s a mix of verse and prose poems, or even poems in the. . .

Read More >

Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

A Simple Story: The Last Malambo
A Simple Story: The Last Malambo by Leila Guerriero
Reviewed by Emilee Brecht

Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .

Read More >

The Little Buddhist Monk & The Proof
The Little Buddhist Monk & The Proof by Cesar Aira
Reviewed by Will Eells

Aira continues to surprise and delight in his latest release from New Directions, which collects two novellas: the first, The Little Buddhist Monk, a fairly recent work from 2005, and The Proof, an earlier work from 1989. There are a. . .

Read More >

Agnes
Agnes by Peter Stamm
Reviewed by Dorian Stuber

The narrator of Peter Stamm’s first novel, Agnes, originally published in 1998 and now available in the U.S. in an able translation by Michael Hofmann, is a young Swiss writer who has come to Chicago to research a book on. . .

Read More >