Similar to years past, we’re going to be featuring each of the 25 titles on the BTBA Fiction Longlist over the next month plus, but in contrast to previous editions, this year we’re going to try an experiment and frame all write-ups as “why this book should win.” Some of these entries will be absurd, some more serious, some very funny, a lot written by people who normally don’t contribute to Three Percent. Overall, the point is to have some fun and give you a bunch of reasons as to why you should read at least a few of the BTBA titles._
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Georg Letham: Physician and Murderer by Ernst Weiss, translated by Joel Rotenberg
Why This Book Should Win: Again with the Mad Scientist!; Archipelago titles are always contenders; the novel is long, engrossing, gothic, and classic.
You wouldn’t know it from the myopic reviews, at least the ones that I have read, but Georg Letham is one of the greatest horror novels of the 20th century. (Probably the greatest—name the contenders.) Not horror in the adolescent Stephen King/H.P. Lovecraft mode of rampaging monsters, but in the scientific romance genre, a modernist version of the Gothic mythopoetic imagination found in Mary Shelley’s Frankenstein, Edgar Allan Poe’s The Narrative of Arthur Gordon Pym, and H. G. Wells’s The Island of Doctor Moreau. It sits proudly with those wonderful books, daring to go to hallucinogenic extremes when linking the sadistic depths of the scientific mentality with the amorality of modern life.
Because it was published in 1931 by a Czech-Jewish writer and deals with a “mad” homicidal doctor (a bacteriologist), who wants to benefit a mankind he feels nothing for, the critical tendency has been to see the story as a expose of the fascist mentality, which it is, and as a Freudian nightmare, which it isn’t. Or that is the least interesting reading of this jaw-dropper of a book, as exemplified by the dreary Nation piece that reduces Weiss’s fascinating narrative into a mirror of the process of psychoanalysis.
Weiss’s vision in Georg Letham is not rote Freudian; it is firmly in the social critique/ apocalyptic Darwinian mode. “Can man triumph over nature?” asks Georg. “Never. He, man, is only an experiment on the part of nature, the terrible.” Thus evolution (or God) may be experimenting with pitiless objectivity on us, generating humans out of animals. And the terrible is woven into everything we think and do: the predominate metaphor in the novel—repeated to the point of saturation—is the degrading/violent transformation of humans into animals (rats and frogs dominate) and animals into humans (a “feminist” retelling of Adam and Eve stars two rats in a pit and ends with the female gobbling up the male). Tossed into prison for killing his wife (because she nauseates him), Georg ends up looking for a cure for Yellow fever in the tropics (fire), with a memorable flashback to his brutal father fighting an army of rats during a hellish expedition to the North Pole (ice).
Some warnings before tackling Georg Letham—its structure is lumpy, little more than a series of set pieces that are of novella length. And if you have an abnormal fear of rats and love dogs you will have a very hard time, though the victims dish out some payback to their not-so-fittest tormentors. Adventurous readers with stout temperaments will find this gruesome diagnosis of modernity worthy of Nietzsche (“herd mentality”) and sociologist Max Weber. The latter summed up Georg’s dissociated type perfectly: “specialists without spirit, sensualists without heart,” though as an unreliable narrator Georg is self-consciously (and poignantly) aware of his lack of humanity. Weber also refers to civilized men as souls trapped in “the polar night of icy darkness.” Georg Letham is a demanding but magnificent deep freeze of a novel, classic horror served zero to the bone.
One of the best unexpected results of putting together the translation databases is being able to put together an awesome reading list of forthcoming translations. (Or, to put it in a slightly more negative light: to know about way more interesting books than I’ll ever have time to read.)
The spring is a perfect example. As the reading for the 2010 Best Translated Book Award is winding down, I’m getting jacked about 2011 . . . Just look at this list of titles coming out in January – March 2010. (Don’t even get me started on April – June . . . my “to read” bookshelf is already overflowing.) Links below go to the Idlewild Books catalog, since Idlewild is our Indie Store of the Month. (And by “month” I mean the rest of December and all of January.)
Georg Letham, Physician and Murderer by Ernst Weiss (excerpt)
translated from the German by Joel Rotenberg
published by Archipelago Books
Archipelago books tend to deliver, and this sounds really intriguing. Thomas Mann gave this a killer blurb: “easily one of the most interesting books I have come across in years.” It’s the story of a scientist-hero who has killed his wife and is deported to a remote island where he “seeks redemption in science.” It was written around the same time as The Man without Qualities and The Sleepwalkers and has that same sort of middle-European, ambitious vibe.
My Little War by Louis Paul Boon
translated from the Dutch by Paul Vincent
published by Dalkey Archive Press
I’m a huge Boon fan, especially of Chapel Road and Summer in Termuren, and it’s great to see more of his work making it into English. This was a first novel, an account of World War II told through “overheard conversations, newspaper articles, manifestos, and other sights and noises of daily life.” Boon had an amazing gift for language, for capturing the dirty reality and comic charms of daily life and creating something bigger and more meaningful. It’ll be very interesting to see what he created out of these materials.
Monsieur Pain by Roberto Bolano
translated from the Spanish by Chris Andrews
published by New Directions
This next year promises to be yet another big year for Roberto Bolano with three books of his coming out from New Directions: Monseiur Pain, Antwerp and The Return. This novel—which we’ll be reviewing in the very near future—is about Peruvian poet Cesar Vallejo, a mesmerist, two mysterious gentlemen, a bribe, and guilt. With Bolano you can rest assured that it’s at least worth the price of admission.
Baba Yaga Laid an Egg by Dubravka Ugresic
translated from the Croatian by Ellen Elias-Bursac, Celia Hawkesworth, and Mark Thompson
published by Grove
Dubravka’s one of my all-time favorite writers (which is one of the reasons why her collection of essays, Nobody’s Home, was the first book published by Open Letter) and this looks like an awesome follow-up to her last work of fiction, The Ministry of Pain. This novel is part of the “Myths” series, retelling the story of Baba Yaga who, according to Russian myth, “is a witch who lives in a house built on chicken legs and kidnaps small children.” We posted about this book a while back and included a bit of the opening chapter. This may well be the book that I’m most excited about for 2010 . . .
Bad Nature, or With Elvis in Mexico by Javier Marias
translated from the Spanish by Esther Allen
published by New Directions
I know next to nothing about this book aside from the fact that a) it’s published by New Directions (definite plus), b) it’s by Javier Marias (another plus), and c) it’s translated by Esther Allen (three pluses and I’m sold?). That and this description, which is the very definition of “selling copy”: “In this classic Marias story, Elvis and his entourage abandon their translator in a seedy cantina full of enraged criminals.”
The Museum of Eterna’s Novel (The First Good Novel) by Macedonio Fernandez (excerpt)
translated from the Spanish by Margaret Schwartz
published by Open Letter
Yeah, OK, I’m including one of our own books on this list—but seriously, I waiting almost five years to be able to read this and truly believe it’s one of the great books of the twentieth century. It opens with over fifty prologues! It’s in the meta-vein of At Swim-Two-Birds! It’s written by Borges’s mentor! It’s subtitled “The First Good Novel”! (And was a companion to Macedonio’s Adriana Buenos Aires (The Last Bad Novel)!) What more do you need to know?
Obabakoak by Bernardo Atxaga
translated from the Basque by Margaret Jull Costa
published by Graywolf Press
Atxaga’s The Accordionist’s Son came out from Graywolf earlier this year and got some good attention. Obabakoak is a collection of stories centered around the village of Obaba, and sounds really intriguing: “A tinge of darkness mingles with moments of wry humor in this dazzling collage of fables, town gossip, diary excerpts, and literary theory, all held together by Bernardo Atxaga’s distinctive and tenderly ironic voice.” Here’s a link to an audio file from PEN America of Atxaga reading Three Pieces about the Basque Language.
Changeling by Kenzaburo Oe
translated from the Japanese by Deborah Boliver Boehm
published by Grove
Kudos to Grove for having such a great winter/spring line-up—and for publishing two of the books I’m most looking forward to in 2010. We already have a review of this novel on hand, but with the pub date so far in the future, we’re going to hold onto it for at least a few weeks before posting. The review is very positive, and this story of a man traveling from Japan to Berlin to try to understand what drove his brother-in-law to commit suicide sounds incredibly intriguing.
Wolf among Wolves by Hans Fallada
translated from the German by Philip Owens
published by Melville House
This comes on the heels of Fallada’s Every Man Dies Alone, which did very well for Melville House. Another massive book (736 pages!), it sounds great: “a sprawling saga of the collapse of a culture—its economy and government—and the common man’s struggle to survive it all. Set in Weimar Germany soon after Germany’s catastrophic loss of World War I, the story follows a young gambler who loses all in Berlin, then flees the chaotic city, where worthless money and shortages are causing pandemonium. Once in the countryside, however, he finds a defeated German army that has deamped there to foment insurrection. Somehow, amidst it all, he finds romance—it’s The Year of Living Dangerously in a European setting.”
That’s it for now . . . More recommendations to come in a few months.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .