You may (or may not) already be a member of the Open Letter group on Facebook (which is great), but we’re quickly migrating the fun(!) over to our Facebook fan page, where we’ll be able to better keep you up-to-date during your daily Facebooking, and (importantly) we can better hear back from you, give out free books, invite you to events, and etc.
So, whether or not you’re already part of the old group, take a second to click here, then click “Become a fan” (and thanks).
To any of you who aren’t yet part of the Open Letter group on Facebook, take a second to join, won’t you? The group is on its way to becoming a much more active place with invites to upcoming events, info about new books and the publishing world, and probably a few contests for free stuff, too . . .
I know we should’ve done this sooner, but we just set up an Open Letter group and a Best Translated Book Award group on Facebook.
So if you’re on Facebook, please join. (And feel free to invite all of your friends.) We don’t have much on the Open Letter site (yet), but on the BTB group there are cover images for all the books, info about the shortlist announcement and award party, and links to the overviews for each of the titles.
E.J. set up the Open Letter page on Facebook this afternoon, and so far we only have one lonely fan . . .
One of the most interesting facets of Translation Is a Love Affair is the brief bio on Sheila Fischman:
Sheila Fischman has published more than 125 translations of contemporary French-Canadian novels including works by Jacques Poulin, Francois Gravel, Anne Hebert, Marie-Claire. . .
The innovative works of legends like Borges and Cortázar not only defined a literary movement, they created an exotic and well-known image of Latin America and its people. A key element of works in the tradition of the magical realism. . .
Contemporary Japanese literature is all too easy to stereotype. As far as the American reading public goes, the only books that come out of Japan seem to be under one of three genres. The first is the “bizarre things happening. . .
I was born in the final decade of communism’s flailing grasp on the Eastern Bloc, and so what I know of the fall of the Berlin Wall and the collapse of communism has long been relegated to what I learned. . .
The short novel is a form in which writers typically exercise great control over their material, accepting the abbreviated length as a kind of challenge, working within that limitation to craft a tight, jewel-like story in which all the elements. . .
In the most recent translation of Swiss writer Robert Walser’s work, The Tanners, we are reminded once again why Kafka and Musil were fans—his wit. And like everything in Walser’s writing, it is nuanced and subtle. Instead giving us. . .
Rosa Chacel (1898-1994) sculptor, novelist, poet, essayist, feminist was born and died in Spain, with Brazil as a second home. She was a contemporary with the Generation of ’27, which included Garcia Lorca and Ramon Jaminez, and she was familiar. . .