With Argentina as Guest of Honor at this year’s Frankfurt Book Fair, there’s bound to be a ton of articles coming out about its publishing scene. And based on my obsession with Argentine literature, we’re bound to feature as many as possible. (We’ll also try to do something special to highlight a number of classic and contemporary Argentine writers. But more on that later.)
This weekend, the Buenos Aires Herald ran a piece about an interesting program highlighting Argentina’s vibrant indie publishing scene:
In Buenos Aires, until next Sunday, indie publisher association Alianza de Editores Independientes de la Argentina (EDINAR) presents a Hot List with what’s hot in the indie literature world. EDINAR, which comprises 30 publishing houses, was created in 2005 in order to defend diversity in the publishing environment. This time, 20 publishers chose one book each from their catalogues to be part of a Hot List, available and prominently displayed at different bookstores – these are not their best sellers, but the books that they feel deserve more of the spotlight than they’re currently getting. The Hot List comprises a great variety of genres such as novels, short stories books, poetry, and essays.
Info on all 20 books can be found in the article itself, but here are a few of the more interesting titles included in the program:
Ediciones Corregidor preferred Poemas (Poems) by Macedonio Fernández because “this author’s writing show that he was an intellectual with a vivid code of ethics, and who was also able to think of the most original literary strategies.” The book comprises unpublished poems, since Fernández never published a book of poems while he was alive. Born in Argentina in 1852, Macedonio Fernández was a writer, humourist, and philosopher. His writings include novels, stories, poetry and journalistic features.
Macedonio was Jorge Luis Borges’s most important Argentine mentor and influence, and remains a cult author to this day. [. . .]
Marea selected the book Cuba libre: Vivir y escribir en La Habana by Cuban blogger Yoani Sánchez. The book deals with a generation of authors who were born in Cuba during the 70s and 80s and have to stick to an ideology they don’t sympathize with. Yoani Sánchez was chosen by Time magazine as an author among the top 100 more influential people of the world, and has famously run afoul of the island’s government for the criticism of the Cuban regime in her blog Generación Y.
Mate publisher went for Ricardo Piglia this time. They chose the essay book Teoría del Complot, with theories about Argentine society. Born in 1941 in Adrogué and raised in Mar del Plata, Piglia is one of the foremost contemporary Argentine writers, known equally for his fiction and his literary criticism. [. . .]
Eterna Cadencia picked La Virgen Cabeza by Gabriela Cabezón Cámara. Set in a shanty in Buenos Aires, the novel tells the story of Sister Cleopatra, a transvestite who allegedly communicates with the Virgin Mary. Gabriela Cabezón was born in Buenos Aires province in 1968. Her novel deals with marginality and violence as well as with love and humour, and participated in this year’s crime fiction festival Semana Negra de Gijón, in Spain.
(Via the Literary Salon)
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .
Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .