6 September 11 | Chad W. Post | Comments

There’s been a lot of talk about the revival of interest in long-form non-fiction thanks to the Internet and apps and what not. There’s longform.org, givemesomethingtoread.com, and, more to the electronic point, Kindle Singles.

Now, you could argue that this isn’t really a revival, but rather an embracing of a distribution system for journalism more in line with our times than the printing of magazines or newspaper or books on current affairs.

Regardless, in our Age of Apps, it seems like this revived interest could expand to short stories as well. Rather than buying a journal with a ton of short stories (many of which you probably won’t like), or reading the New Yorker, single-story delivery systems are kind of perfect. Witness the astounding success of One Story.

All of this is a long ramble to introducing Storyville, an iEverything app that provides a new story every week from around the world. It’s a very pretty app, and perfect for giving you something new to read on a regular basis that is interesting, enjoyable, and substantial (but not overwhelming).

One self-serving reason I’m mentioning this now is because Merce Rodoreda’s “Guinea Fowls” (available in her Selected Stories) is this week’s featured story.

Translator Martha Tennent provided a very interesting introduction to this story, which you can read here.

As a translator, I search for a concept of style that will help formulate a strategy for rendering the work into English. It is always difficult to translate from Catalan, for we lack in English a sense of the literary and cultural traditions that have produced Catalan literature, something that does not occur, for example, with French. When translating Rodoreda’s last, posthumous novel, Death in Spring—a surrealist novel that depicts a mythical world where ritual violence is part of the village’s daily life—I sought analogies in English that would help the Anglophone reader interpret the text. I found inspiration in Angela Carter’s Gothic tales and in the rich vocabulary and nature images of D.H. Lawrence. I developed a lexicon based on these writers and attempted to insert expressions garnered from these parallel genres in the English literary tradition at strategic points in my translation.

I worked in a similar fashion when translating the collection of short stories by Rodoreda. Her short narratives reflect at times a Virginia Woolf type of stream of consciousness, but more often a dramatic realism, even a laconic minimalism, seen in the styles of Hemingway or Raymond Carver, writers who helped me develop a style for the story “Guinea Fowl,” where the stark realism of a brutal market scene is glimpsed through the eyes of a young boy. The precision of observation and ear for capturing the rhythm of the spoken language that Mercè Rodoreda shows in much of her writing is clearly evident in “Guinea Fowl.”

Click here to download the Storyville app and to read Rodoreda’s awesome story . . . .

(One last digression: It’s amazing that last week Rodoreda’s Death in Spring was on NPR, and this week her story is being featured in Storyville. She was an incredible figure and I’m really glad Open Letter has been able to make her work available to a much wider group of readers. And hopefully this sort of “Rodoreda rediscovery” will go on for years and years and years.)

....
The Truce
The Truce by Mario Benedetti
Reviewed by Adrianne Aron

Mario Benedetti (1920-2009), Uruguay’s most beloved writer, was a man who loved to bend the rules. He gave his haikus as many syllables as fit his mood, and wrote a play divided into sections instead of acts. In his country,. . .

Read More >

I Am a Season That Does Not Exist in the World
I Am a Season That Does Not Exist in the World by Kim Kyung Ju
Reviewed by Jacob Rogers

Kim Kyung Ju’s I Am a Season That Does Not Exist in the World, translated from the Korean by Jake Levine, is a wonderful absurdist poetry collection. It’s a mix of verse and prose poems, or even poems in the. . .

Read More >

Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

A Simple Story: The Last Malambo
A Simple Story: The Last Malambo by Leila Guerriero
Reviewed by Emilee Brecht

Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .

Read More >

The Little Buddhist Monk & The Proof
The Little Buddhist Monk & The Proof by Cesar Aira
Reviewed by Will Eells

Aira continues to surprise and delight in his latest release from New Directions, which collects two novellas: the first, The Little Buddhist Monk, a fairly recent work from 2005, and The Proof, an earlier work from 1989. There are a. . .

Read More >

Agnes
Agnes by Peter Stamm
Reviewed by Dorian Stuber

The narrator of Peter Stamm’s first novel, Agnes, originally published in 1998 and now available in the U.S. in an able translation by Michael Hofmann, is a young Swiss writer who has come to Chicago to research a book on. . .

Read More >