The distancing of the Russian provinces from Moscow has thus far brought little change to the intellectual provincialism of the regions. Only the rocky Urals have turned out to provide fertile soil for a cultural blossoming. There are in particular three literary figures from the Urals who need fear no comparison with modern writers from other areas: Alexei Ivanov, 38, from Perm; Igor Sakhnovsky, 50, from Yekaterinburg, and Olga Slavnikova. These authors are noteworthy for the variety of genres in which they work – short stories, historical novels, intellectual thrillers, fantasy, social-issue novels – and for their stylistic mastery, richness of language and use of local colour. Even eroticism, which tends to be denigrated in literary circles today as almost an outdated, compulsively repetitious theme, makes an unexpected comeback in Sakhnovsky’s short story collection, “The Happy and the Mad” (2003). The intensity and refinement of treatment, the striking freshness and casualness of the erotic experience, prompt the reader to virtually swallow the book down at a gulp.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .