The distancing of the Russian provinces from Moscow has thus far brought little change to the intellectual provincialism of the regions. Only the rocky Urals have turned out to provide fertile soil for a cultural blossoming. There are in particular three literary figures from the Urals who need fear no comparison with modern writers from other areas: Alexei Ivanov, 38, from Perm; Igor Sakhnovsky, 50, from Yekaterinburg, and Olga Slavnikova. These authors are noteworthy for the variety of genres in which they work – short stories, historical novels, intellectual thrillers, fantasy, social-issue novels – and for their stylistic mastery, richness of language and use of local colour. Even eroticism, which tends to be denigrated in literary circles today as almost an outdated, compulsively repetitious theme, makes an unexpected comeback in Sakhnovsky’s short story collection, “The Happy and the Mad” (2003). The intensity and refinement of treatment, the striking freshness and casualness of the erotic experience, prompt the reader to virtually swallow the book down at a gulp.
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .