Just got a message from Riky Stock at the German Book Office that there are still a few openings for this year’s Frankfurt Book Fair International Booksellers Program. Similar to the editor’s trip, this program helps introduce booksellers from around the world to their German counterparts. Somewhat geared towards people interested in importing and selling German books, but I can only imagine that any perceptive bookseller would get a lot out of this sort of trip and the various meetings with international booksellers.
Anyway, here’s the info she sent me:
The international programme provides foreign booksellers with an insight into the functions and structures of the German book trade, enabling them to efficiently organise their import and sales of German books. The programme promotes dialogue with other booksellers, German publishers and wholesalers and helps participants to create their own network.
In addition to the attendance at the Frankfurt Book Fair and visits to German publishing companies the programme includes an introduction to the German book market, one day of work experience in a bookshop, two visits to wholesalers as well as cultural activities.
All visits will be supported by presentations given during the seminar. Participants will be able to report about their home countries’ book markets. Time is allowed for in depth exchanges of experience between participants, speakers and organisers.
Booksellers Programme 2009
Organizer: Ausstellungs- und Messe-GmbH / Frankfurt Book Fair
Funded by: Foreign Office, Frankfurt Book Fair
Date: 15 – 22 October 2009
Participants: booksellers from non-German speaking regions with an interest in importing German books
Seminar language: English
Costs for participants: € 290,- incl. VAT;
Travel expenses to Germany and back home are excluded.
Room, board and local transport is taken care of by the organiser.
Contact: Nadja Mortensen: mortensen at book-fair dot com
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .