8 June 11 | Julianna Romanazzi | Comments

If you’re looking to try out your German translation skills the German company no man’s land contacted us and is looking for submissions for its 2011 issue coming out in November. no man’s land is now accepting poetry and prose electronically and by mail. If interested contact Isabel Cole. Viel Glück!

Call for Submissions – no man’s land # 6

Contemporary German-language fiction and poetry in English translation.
Deadline: August 6, 2011.

no man’s land, the online journal for contemporary German literature in translation, is seeking submissions for its 2011 issue.

For prose, send up to 3 texts (stories or self-contained novel excerpts, max. 4,000 words each) by one or different contemporary* writers. For poetry, send work by up to 3 poets, each to a maximum of 5 poems. No simultaneous submissions, please, and – with some possible exceptions** – no previously-published translations. The deadline is August 6, 2011 (postmark date), and we will inform contributors by early September 2011; the issue will go online in November. We regret that we are unable to offer honoraria.

Please include your contact information, biographical and publication information (for both translator and author) and a copy of the original. Also, please provide proof of permission from the original publisher and/or author – whoever holds the rights to the piece (this could be a copy of a letter, or forward us an e-mail).

If you can include the original text in file format (PDF or other), we prefer that you send submissions electronically to Isabel Cole at isabel@no-mans-land.org. Otherwise, mail them to no man’s land, PO Box 02 13 04, 10125 Berlin, Germany.

To save us time and keep us from misplacing your work, please observe the following guidelines for electronic submissions:

1) Submit all texts (poems or prose) by one author in the same file (i.e. not a separate file for each little poem).
2) Name the file with your translation as follows: pr for prose, ly for poetry_your last name_the author’s last name_e. So Anthea Bell’s translation of prose by E. T. A. Hoffmann would be: pr_bell_hoffmann_e.doc. Name the file with the original the same way, but ending with _dt (pr_bell_hoffmann_dt.doc). Stephen Mitchell’s translation of Rilke poems would be ly_mitchell_rilke_e.doc, and the original would be ly_mitchell_rilke_dt.doc.

Apologies if this sounds complicated, but it really would be a great help!

For more information, see our “Translators’ Tips” on the no man’s land website and feel free to contact us at the above e-mail address.

We look forward to reading your work!

The Editors, no man’s land
www.no-mans-land.org

*Defined more or less as writers currently active, or active in the later 20th/early 21st century. When in doubt, query!

  • We are willing to make exceptions for translations that have appeared previously in very limited circulation and that we feel deserve a new audience. Again, please feel free to query.

....
The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

Read More >

Pavane for a Dead Princess
Pavane for a Dead Princess by Park Min-Gyu
Reviewed by Christopher Iacono

In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .

Read More >

Tram 83
Tram 83 by Fiston Mwanza Mujila
Reviewed by Caitlin Thomas

Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .

Read More >

Twenty-One Days of a Neurasthenic
Twenty-One Days of a Neurasthenic by Octave Mirbeau
Reviewed by Lori Feathers

Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .

Read More >

Sphinx
Sphinx by Anne Garréta
Reviewed by Monica Carter

Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .

Read More >

Morse, My Deaf Friend
Morse, My Deaf Friend by Miloš Djurdjević
Reviewed by Vincent Francone

There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .

Read More >

The Crimson Thread of Abandon
The Crimson Thread of Abandon by Terayama Shūji
Reviewed by Robert Anthony Siegel

The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .

Read More >