25 February 09 | E.J. Van Lanen | Comments

The longlist for the Independent Foreign Fiction Prize has (finally!) been announced. Here you go:

  • Voice Over by Céline Curiol (trans. Sam Richard)
  • A Blessed Child by Linn Ullman (trans. Sarah Death)
  • The Blue Fox by Sjon (trans. Victoria Cribb)
  • Friendly Fire by A.B. Yehoshua (trans. Stuart Schoffman)
  • My Father’s Wives by José Eduardo Agualusa (trans. Daniel Hahn)
  • The White King by Gyorgy Dragoman (trans. Paul Olchvary)
  • The Informers by Juan Gabriel Vasquez (trans. Anne McLeane)
  • Homesick by Eshkol Nevo (trans. Sondra Silverstein)
  • Beijing Coma by Ma Jian (trans. Flora Drew)
  • The Diving Pool by Yoko Ogawa (trans Stephen Snyder)
  • Novel 11, Book 18 by Dag Solstad (trans. Sverre Lyngstad)
  • The Director by Alexander Ahndoril (trans. Sarah Death)
  • The Armies by Euelio Rosero (trans. Anne McLean)
  • How the Soldier Repairs the Gramophone by Saša Stanišić‘ (trans. Anthea Bell)
  • The Siege by Ismail Kadare (trans. David Bellos, from the French of Jusuf Vrioni)
  • Night Work by Thomas Glavinic (trans. John Brownjohn)

There’s only two points of contact with the Best Translated Book Award longlist, Celine Curiol’s Voice Over (which made our shortlist) and perennial Independent Foreign Fiction Prize longlister, and sometime prizewinner, José Eduardo Agualusa, whose Book of Chameleons we nominated—My Father’s Wives has yet to find an American publisher, I think.

Overall, it’s a strong list, and if you want more info we have reviews of a few of the books from the longlist:

Only two! Looks like we have some work to do.

....
Tristana
Tristana by Benito Pérez Galdós
Reviewed by Lori Feathers

The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .

Read More >

The History of Silence
The History of Silence by Pedro Zarraluki
Reviewed by P. T. Smith

Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .

Read More >

Flesh-Coloured Dominoes
Flesh-Coloured Dominoes by Zigmunds Skujiņš
Reviewed by P. T. Smith

There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .

Read More >

Iraqi Nights
Iraqi Nights by Dunya Mikhail
Reviewed by Vincent Francone

In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .

Read More >

Three-Light Years
Three-Light Years by Andrea Canobbio
Reviewed by Tiffany Nichols

I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .

Read More >

The Little Horse
The Little Horse by Thorvald Steen
Reviewed by P. T. Smith

The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .

Read More >

Guys Like Me
Guys Like Me by Dominique Fabre
Reviewed by Peter Biello

We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .

Read More >