Next Monday (March 23), we’re hosting a roundtable discussion at the University of Rochester with several highly distinguished guests—and, also, Chad will be there. Here are the basics:
“The Politics of Translation: What Gets Translated and Why”
March 23, 5:00 P.M.
(in Special Collections at Rush Rhees Library)
University of Rochester
It’s sure to be a lively discussion on the forces and fortuities that bring (or stop) literary books into English translation. The panel will feature:
-Amanda Hopkinson, British Centre for Literary Translation at the University of East Anglia, translator of Diamela Eltit and others.
-Suzanne Jill Levine, University of California-Santa Barbara, author of The Subversive Scribe, translator of Manuel Puig and others.
-Kathleen McNerney, West Virginia University, editor of “Garden across the Border: Merce Rodoreda’s Fiction.”
And will be moderated by:
-Chad Post, director of Open Letter Books, the University of Rochester’s publishing imprint specializing in literary translations.
This event is free and open to the public. Sponsored by the Humanities Project, University of Rochester Arts & Sciences, and Open Letter Books.
Click below for the PDF poster/invite.
“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .
With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .
In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .
You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .
The narrative history of. . .
Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .
Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .
I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .