The Korea Literature Translation Institute (KLTI) started a two-year project in 2007 to evaluate published English translations of Korean literature. In the first stage of evaluation work. 41 novels in 72 editions from 721 books that had been translated and published up to 2006 were evaluated. The second stage of the survey will focus on poetry and be completed by the end of 2008.
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The results of this project will be used to estimate the level and problems of Korean literature translated into English and for establishing an important database for its improvement.
A lot of countries have book offices which promote the translation of their national literatures, but this is the first time I’ve ever seen anything like this. They’re studying all of their works that have been translated into English to determine the quality of the translations!
So far, they say only 10% of the translations they’ve evaluated merit a score of “high readability”. I’d be curious to find out what these books are, although I can’t imagine the lists would ever be released.
I wonder if they’ll release some kind of analysis of their findings at the end of the study…
(via LS)
One of the most interesting facets of Translation Is a Love Affair is the brief bio on Sheila Fischman:
Sheila Fischman has published more than 125 translations of contemporary French-Canadian novels including works by Jacques Poulin, Francois Gravel, Anne Hebert, Marie-Claire. . .
The innovative works of legends like Borges and Cortázar not only defined a literary movement, they created an exotic and well-known image of Latin America and its people. A key element of works in the tradition of the magical realism. . .
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I was born in the final decade of communism’s flailing grasp on the Eastern Bloc, and so what I know of the fall of the Berlin Wall and the collapse of communism has long been relegated to what I learned. . .
The short novel is a form in which writers typically exercise great control over their material, accepting the abbreviated length as a kind of challenge, working within that limitation to craft a tight, jewel-like story in which all the elements. . .
In the most recent translation of Swiss writer Robert Walser’s work, The Tanners, we are reminded once again why Kafka and Musil were fans—his wit. And like everything in Walser’s writing, it is nuanced and subtle. Instead giving us. . .
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