This was actually announced a couple days ago, but I just received an email from French publisher P.O.L. celebrating the awarding of the Prix Renaudot to Emmanuel Carrère for his new novel Limonov.
Limonov is not a fictional character. He exists. I know him. He was a lout in Ukraine; an idol of the Soviet underground under Brezhnev; a tramp, then a manservant to a millionaire in Manhattan; a trendy writer in Paris; a soldier lost in the wars of the Balkans; and now, in the immense chaos of Russian post-communism, an old charismatic chef of a party of young desperados. He sees himself as a hero, it’s possible to consider him as a bastard: I’ll reserve my judgment.
His life is adventurous and ambiguous: a true novel. And I believe his life tells us something. Not only about himself, Limonov, not only about Russia, but about the history of us all after the Second World War.
This is how Emmanuel Carrère describes his last novel. What he doesn’t say is to what extent he has succeeded in creating a breathtaking contemporary epic novel from this extraordinary life, to be read without stopping in great exaltation. Most certainly because his knowledge of the subject is complete, his inquiry was thorough, having read all of Limonov’s books, of course, and what has been written about him, meeting him himself, and all the witnesses it was possible to contact, but especially because his talent as a narrator is immense, and that he masterly rendered not only the character’s complexity, but also that of his country and his time.
This sounds fantastic, and like a great follow up to Lives Other than My Own, which came out earlier this year, and which we featured on Read This Next. FSG already bought the rights to this new book, although there’s no info available about when it will be available in English translation.
This slender, uncanny volume—the second, best-selling collection of stories by Russian author Ludmilla Petrushevskaya to appear in the U.S.—has already received considerable, well-deserved praise from many critics and high profile publications. Its seventeen short tales, averaging ten pages each, are. . .
The Urdu word basti refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers,. . .
The Whispering Muse, one of three books by Icelandic writer Sjón just published in North America, is nothing if not inventive. Stories within stories, shifting narration, leaps in time, and characters who transform from men to birds and back again—you’ve. . .
Luis Negrón’s debut collection Mundo Cruel is a journey through Puerto Rico’s gay world. Published in 2010, the book is already in its fifth Spanish edition. Here in the U.S., the collection has been published by Seven Stories Press and. . .
To have watched from one of your patios
the ancient stars
from the bank of shadow to have watched
the scattered lights
my ignorance has learned no names for
nor their places in constellations
to have heard the ring of. . .
When Icelandic author Andri Snær Magnason first published LoveStar, his darkly comic parable of corporate power and media influence run amok, the world was in a very different place. (This was back before both Facebook and Twitter, if you can. . .
When starting Hi, This Is Conchita and Other Stories, Santiago Roncagliolo’s second work to be translated into English, I was expecting Roncagliolo to explore the line between evil and religion that was front and center in Red April. Admittedly, I. . .