Back on December 11th, Liu Xiabo was formally indicted by the Beijing Municipal Procuratorate for “inciting subversion of state power,” a charge that is often leveled against writers the Chinese government wishes to silence.
Here’s a bit more background info from PEN America:
Liu Xiaobo is a renowned literary critic, writer, and political activist based in Beijing. He served as President of the Independent Chinese PEN Center from 2003 to 2007 and currently holds a seat on its board. Liu Xiaobo was a professor at Beijing Normal University and has worked as a visiting scholar at several universities outside of China, including the University of Oslo, the University of Hawaii, and Columbia University in New York City.
Liu Xiaobo was formally arrested by the Beijing Public Security Bureau on June 23, 2009 and charged with “inciting subversion of state power” for co-authoring Charter 08, a declaration calling for political reform, greater human rights, and an end to one-party rule in China that has been signed by hundreds of individuals from all walks of life throughout the country. His case was officially moved to the prosecutor’s office on December 8, 2009. He had been detained a year earlier, on December 8, 2008, and held for six months and two weeks under “residential surveillance” while police gathered evidence on his case. Liu Xia, Liu Xiaobo’s wife, was only been permitted to visit him twice, he did not have access to a lawyer and he was denied writing materials while detained at an undisclosed location in Beijing. Since his arrest, he has been held at the No. 1 Detention Center of Beijing City, where he has finally had access to his lawyers. If convicted of the subversion charge, he could face up to 15 years in prison.
To help bring more attention to Liu Xiaobo’s case, PEN has organized a click-and-send letter-writing campaign and petition signing. Just follow that link and look at the “Take Action” section to participate.
After briefly lamenting the fact that there’s not a lot of places to turn to to learn about/gain exposure to international poetry, I opened my mail and found the new issue of Rattapallax, which, along with CALQUE and Circumference, is one of the best sources for poetry in translation. This particular issue kicks off by featuring eleven Bengali poets . . .
Also arriving within the past few days is issue #11 of PEN America, which also has some great international content, including: an interview between Adam Gopnik and Jean-Marie Gustave Le Clezio, fiction by Alejandro Zambra (from Megan McDowell’s translation of The Private Lives of Trees, which cough cough, Open Letter is publishing in the spring, but isn’t credited for in the journal . . .), memoir from Chimamanda Ngozi Adichie, and poetry by Liu Xiaobo (trans by Jeffrey Yang). (And a piece by Ed Park!)
“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .
With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .
In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .
You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .
The narrative history of. . .
Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .
Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .
I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .