Back on December 11th, Liu Xiabo was formally indicted by the Beijing Municipal Procuratorate for “inciting subversion of state power,” a charge that is often leveled against writers the Chinese government wishes to silence.
Here’s a bit more background info from PEN America:
Liu Xiaobo is a renowned literary critic, writer, and political activist based in Beijing. He served as President of the Independent Chinese PEN Center from 2003 to 2007 and currently holds a seat on its board. Liu Xiaobo was a professor at Beijing Normal University and has worked as a visiting scholar at several universities outside of China, including the University of Oslo, the University of Hawaii, and Columbia University in New York City.
Liu Xiaobo was formally arrested by the Beijing Public Security Bureau on June 23, 2009 and charged with “inciting subversion of state power” for co-authoring Charter 08, a declaration calling for political reform, greater human rights, and an end to one-party rule in China that has been signed by hundreds of individuals from all walks of life throughout the country. His case was officially moved to the prosecutor’s office on December 8, 2009. He had been detained a year earlier, on December 8, 2008, and held for six months and two weeks under “residential surveillance” while police gathered evidence on his case. Liu Xia, Liu Xiaobo’s wife, was only been permitted to visit him twice, he did not have access to a lawyer and he was denied writing materials while detained at an undisclosed location in Beijing. Since his arrest, he has been held at the No. 1 Detention Center of Beijing City, where he has finally had access to his lawyers. If convicted of the subversion charge, he could face up to 15 years in prison.
To help bring more attention to Liu Xiaobo’s case, PEN has organized a click-and-send letter-writing campaign and petition signing. Just follow that link and look at the “Take Action” section to participate.
After briefly lamenting the fact that there’s not a lot of places to turn to to learn about/gain exposure to international poetry, I opened my mail and found the new issue of Rattapallax, which, along with CALQUE and Circumference, is one of the best sources for poetry in translation. This particular issue kicks off by featuring eleven Bengali poets . . .
Also arriving within the past few days is issue #11 of PEN America, which also has some great international content, including: an interview between Adam Gopnik and Jean-Marie Gustave Le Clezio, fiction by Alejandro Zambra (from Megan McDowell’s translation of The Private Lives of Trees, which cough cough, Open Letter is publishing in the spring, but isn’t credited for in the journal . . .), memoir from Chimamanda Ngozi Adichie, and poetry by Liu Xiaobo (trans by Jeffrey Yang). (And a piece by Ed Park!)
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .