27 September 11 | Chad W. Post | Comments

Not sure why/how we haven’t written about this until now, but there’s a new online literary journal called Anomalous that’s worth checking out, especially now that they just released their third issue.

Founded and run by Erica Mena, Anomalous came into being in earlier this year

as a non-profit press dedicated to the diffusion of writing in the forms it can take. Its backbone is an editorial collective from different backgrounds and geographies that keep an eye out for compelling projects that, in any number of ways, challenge expectations of what writing and reading should be.

At the time of its launch, Anomalous is an online publication, available in both visual and audio forms on various platforms. It has its sights set on publishing chapbooks, advancing audio forms and creation, and supporting all sorts of alternative realities of the near future.

A lot of translation people are involved with this, both in terms of providing content, and on the masthead.

In this new issue — which you can download for free as a PDF, audiobook, ePub file, or Kindle version — you’ll find a Mani Rao’s translation from the Sanskrit of Guru-astakam, attributed to Sankara along with Dick Cluster’s translation from the Spanish ob “The Sign” by Pedro de Jesus, original poems by translator Anna Rosen Guercio, original work from fellow translator John Pluecker, part of Andrew Barrett’s translation from the Ancient Greek of Nonnus’ Dionysiaca, and Steve Bradbury’s translation from the Chinese of Hsia Yu’s “Lining Up to Pay,” along with work from a dozen other writers.

There’s a lot of poetry in here, which is one thing that really sets Anomalous apart. (That and the fact that every issue has an audiobook version.) It’s a very nice publication, and one that I’m sure we’ll be referencing again in the future.

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Astragal
Astragal by Albertine Sarrazin
Reviewed by Tiffany Nichols

Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .

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Live Bait
Live Bait by Fabio Genovesi
Reviewed by Megan Berkobien

When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .

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The Skin
The Skin by Curzio Malaparte
Reviewed by Peter Biello

“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .

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Love Sonnets & Elegies
Love Sonnets & Elegies by Louise Labé
Reviewed by Brandy Harrison

With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .

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Conversations
Conversations by César Aira
Reviewed by Tiffany Nichols

In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .

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Nothing Ever Happens
Nothing Ever Happens by José Ovejero
Reviewed by Juan Carlos Postigo

You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .

The narrative history of. . .

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The Pendragon Legend
The Pendragon Legend by Antal Szerb
Reviewed by P. T. Smith

Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .

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