OK, so the podcast about the literature of Lost is now online in its entirety, and hopefully is of some interest to Lost fans . . . We covered a ton of stuff in here: past books from the show, including The Third Policeman, The Invention of Morel, VALIS; my feeling that the best aesthetic lens through which to approach Lost can be found in The Crying of Lot 49; some info about international literature and Open Letter; and a final bit about Macedonio Fernandez’s The Museum of Eterna’s Novel (The First Good Novel). All in all I had a great time talking with Jason and Matt and am now more psyched than ever for the season six premiere . . .
The story traces the journey of four Japanese tourists on a tour to India. Each of these tourists goes to India for different purposes and with different expectations. Even though the tour is interrupted when Prime Minister Indira Gandhi is assassinated by militant Sikhs, each of these tourists finds their own spiritual discovery on the banks of the Ganges River.
One of the tourists is Osamu Isobe. He is a middle-class manager whose wife has died of cancer. On her deathbed she asks him to look for her in a future reincarnation. His search takes him to India, even though he has doubts about reincarnation.
Kiguchi is haunted by war-time horrors in Burma and seeks to have some Buddhist rituals performed in India for the souls of his friends in the Japanese army as well as his enemies. He is also impressed by a foreign Christian volunteer who helped his sick friend deal with the tragic experiences during the war.
Numada has a deep love for animals ever since he was a child in Manchuria. He believes that a pet bird he owns has died in his place. He goes to India to visit the bird sanctuary there.
Mitsuko Naruse, after a failed marriage, realizes that she is a person incapable of love. She goes to India hoping to find the spiritual meaning of life. There her idea of life is challenged by the awaiting Otsu, a former schoolmate she once cruelly seduced and then left. Although he had a promising career as a Catholic priest, Otsu’s own idea of a pantheistic God and his criticism of the European view of God have led to his relegation by the Catholic Church. In his own way to imitate Jesus Christ, he helps carry dead Indians to the local crematoria so that their ashes can be spread to the waters of the Ganges. His efforts ultimately lead to his peril as he is caught in the anti-Sikh uproars in the country. Meanwhile, Mitsuko meets two nuns from the Missionaries of Charity and begins to understand Otsu’s idea of God.
A pilgrimage, spiritual journey, cancer, reincarnation, failed marriages . . . All so very Lost . . .
Also very Lost-like is this little tidbit about Endo that I forgot to mention during the recording:
When he died in 1996, only two novels were chosen to be placed inside his coffin. Deep River was one of them.
So by my estimation, we are only seven days and nine hours away from the start of season six . . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .