And now, their ten day feature on What Bolano Read:
Over the next two weeks, we’ll be hosting “What Bolaño Read,” a series of posts by Tom McCartan charting the reading habits of Roberto Bolaño, the Chilean novelist, poet, and short story writer. Bolaño was a prolific writer, the author of numerous books, including 2666, The Savage Detectives, and By Night in Chile, but he was also a dedicated reader. The series celebrates the publication of Roberto Bolaño: The Last Interview & Other Conversations, which is just out from Melville House. (And recently excerpted by the New York Times here.)
Today’s entry focuses on a 2003 interview Mónica Maristain did for Mexican Playboy in which she asked him about “the five books that marked his life”:
“In reality the five books are more like 5,000. I’ll mention these only as the tip of the spear: Don Quixote by Cervantes, Moby-Dick by Melville. The complete works of Borges, Hopscotch by Cortázar, A Confederacy of Dunces by Toole. I should also cite Nadja by Breton, the letters of Jacques Vaché. Anything Ubu by Jarry, Life: A User’s Manual by Perec. The Castle and The Trial by Kafka. Aphorisms by Lichtenberg. The Tractatus by Wittgenstein. The Invention of Morel by Bioy Casares. The Satyricon by Petronius. The History of Rome by Tito Livio. Pensées by Pascal.”
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .