22 June 11 | Julianna Romanazzi | Comments

A woman receives letters from an unknown man. Racy? Possibly.

The story above, “Obscenities for a Housewife” (“Obscenidades para uma dona de casa”), by Ignácio de Loyola Brandão is part of the Brazilian bestselling anthology The 100 Best Brazilian Short Stories of the Century (Os cem melhores contos brasileiros do século), a book that was banned earlier this year after being called “inappropriate.”

The book includes stories from acclaimed Brazilian authors Clarice Lispector, Carlo Drummond de Andrade, and Joaquim Maria Machado de Assis, among many others, and was bought in bulk by the Brazilian government for public schools as an expedient way to introduce students to Brazil’s literary tradition and culture.

Since then the book, published by Objetiva, has been banned from public schools by the Sao Paulo State due to an objection by mothers against Brandão’s story. A Brazilian court backed the mothers’ objection, citing a “high sexual content” in the book. There is no word on what will become of the government’s copies or if another book might replace the anthology in public schools’ curriculums. Maybe they should ask the mothers.

While I am no expert on school standards or public education, I did manage to find a translated version of the text (of the story, not the book) and read it, and it is surprisingly dirty. Dirty enough to be banned? Perhaps. But as much as I am usually against censorship it might not matter on this one. The book is already a bestseller in Brazil and popular in bookstores. Regardless of the ban, the book is still out there if kids really want to read it.

But then, that too might be up to the mothers.

If you would like to have an opinion on this yourself, you can read the Portuguese text for Obscenities here. And here’s the Google Translated version, of which, only the swear words are coherent.

....
The Matiushin Case
The Matiushin Case by Oleg Pavlov
Reviewed by Brandy Harrison

The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .

Read More >

Fear: A Novel of World War I
Fear: A Novel of World War I by Gabriel Chevallier
Reviewed by Paul Doyle

One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .

Read More >

Little Grey Lies
Little Grey Lies by Hédi Kaddour
Reviewed by P. T. Smith

In the London of Hédi Kaddour’s Little Grey Lies, translated by Teresa Lavender Fagan, peace has settled, but the tensions, fears, and anger of the Great War remain, even if tucked away behind stories and lies. Directly ahead, as those. . .

Read More >

Autobiography of a Corpse
Autobiography of a Corpse by Sigizmund Krzhizhanovsky
Reviewed by Simon Collinson

One of the greatest services—or disservices, depending on your viewpoint—Bertrand Russell ever performed for popular philosophy was humanizing its biggest thinkers in his History. No longer were they Platonic ideals, the clean-shaven exemplars of the kind of homely truisms that. . .

Read More >

A Musical Hell
A Musical Hell by Alejandra Pizarnik
Reviewed by Vincent Francone

The best way to review Alejandra Pizarnik’s slim collection, A Musical Hell, published by New Directions as part of their Poetry Pamphlet series, is to begin by stating that it is poetry with a capital P: serious, dense, and, some. . .

Read More >

Astragal
Astragal by Albertine Sarrazin
Reviewed by Tiffany Nichols

Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .

Read More >

Live Bait
Live Bait by Fabio Genovesi
Reviewed by Megan Berkobien

When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .

Read More >