Earlier this week, the nine nominees for the Neustadt International Prize were announced. Before listing all nine of them, here’s a bit about the prize itself:
The Neustadt Prize is the most prestigious international literary award given in the United States, often cited as “the American Nobel,” and is chosen solely on the basis of literary merit. [. . .] In the next stage of the award process, jury members will convene at Oklahoma University in October for deliberations. The jury will then vote on the shortlist of nominees to select the winner of the prize, who will be announced on Nov. 1 during the Neustadt Festival of International Literature and Culture. The laureate will receive $50,000, a replica of an eagle feather cast in silver, and a certificate of recognition at a ceremony at OU in fall 2014.
Silver Eagle Feather!
One of the cool things about this nomination announcement is that they included a “representative work” from each of the finalists, so if you want to read something by any/all of these authors you’ll know where to start. You can read more about each of the authors here, but for now, here are the authors, their country of origin, and the representative work:
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .