Some time in the past I was on the Wisconsin Public Radio show Here On Earth to make some international literature summer reading recommendations. We weren’t able to cover the full list of books I came up with, so I thought I’d post about them one-by-one over the next couple weeks with additional info, why these titles sound appealing to me, etc., etc. Click here for the complete list of posts.
Purge by Sofi Oksanen. Translated from the Finnish by Lola Rogers. (Finland-Estonia, Grove/Black Cat)
In terms of the book itself, I don’t have a lot to add to Larissa’s perceptive review. But to tie this particular post back into the actual WPR “Here On Earth” conversation that sparked this
sporadic series of posts, I have to post a picture of Sofi, aka, the “woman with the most amazing hair.” (I feel like I must’ve mentioned this a half-dozen times during that interview . . . it was like my verbal crutch of the moment . . .):
I finally met Sofi at this year’s PEN World Voices Festival, and really enjoyed talking with her. I say “finally” because I was supposed to meet her at the Reykjavik International Literary Festival last fall, but she wasn’t able to make it due to a bout of the swine flu. And continuing with a bit of cursed luck, prior to PEN World Voices, she was supposed to read in California, but, well, the volcano nixed that trip . . . As a friend said, she could write a book on being impacted by the not-so-insignificant global disasters of recent times.
Anyway, Purge is a really interesting book, and I’m looking forward to seeing what else Oksanen ends up writing. She’s really at the top of her game right now, having recently won the Nordic Prize for Purge, and was named Estonia’s “Person of the Year” in 2009.
Although this may not be the most uplifting of the books in our summer roundup, it’s definitely worth checking out.
Congrats to Sofi Oksanen, author of Purge, for winning the 2010 Nordic Prize. From the press release:
Finnish-Estonian author Sofi Oksanen has won this year’s Nordic Council Literature Prize for her novel Puhdistus (Purge). The prize is worth 47,000 euros.
Oksanen’s third novel, Purge, tells the story of one family through the tragic experiences of its women. Purge was first born as a play staged with great success at the Finnish National Theatre in 2007.
The prize jury said that in her novel Oksanen combined historical subject matter of the occupation of Estonia by the Soviet Union with a modern global problem, human trafficking in the Baltic Sea area.
Oksanen also won the prestigious Finlandia prize in 2008 and the Runeberg Prize for literature last year for the book.
Oksanen will be at this year’s PEN World Voices Festival and I’m hoping to have a chance to interview her for the Reading the World Podcast. (Speaking of which, anyone want to co-host a few PEN World Voices interviews with me?)
The twelve finalists for the Nordic Literature Prize were announced yesterday.
Among the nominees are Icelandic author Bragi Olafsson for The Ambassador (Open Letter is publishing his book The Pets next fall), and Norwegian author Carl Frode Tiller for Encircling. (Tiller also recently won the Brage prize for the best Norwegian novel of 2007.)
I don’t know anything about the other finalists . . . It would be nice—especially for international publishers—if some magazine or website will provide sample translations or additional information on these books.
The winner will be announced on February 29, 2008.
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .