For all you French speakers out there living in NY, this sounds like a really interesting event:
The 100th anniversary of Gallimard
Monday, January 24, 7:00 p.m.
Antoine Gallimard in conversation with Olivier Barrot (in French)
In 1988, Antoine Gallimard became the head of the Editions Gallimard, one of the world’s most prestigious publishing houses. He succeeded his father, Claude Gallimard who, himself, had followed his father, the founder of this venerable enterprise now celebrating its centennial year. Gallimard is a unique, independent house, boasting more Nobel Prize winners and Goncourt Prize novels than any other French publisher. In 22 years at its helm, Gallimard has both followed a singular tradition and kept his company young and forward looking into the 21st century. One of the most respected persons in his industry, Gallimard was elected President of the French National Publishers Syndicate in 2010.
Presented with the additional support of Sofitel, Open Skies, CulturesFrance, and the Cultural Services of the French Embassy.
La Maison Française
New York University
16 Washington Mews (corner of University Place), New York, NY 10003
Florence Gould Event (in French)
A Special Edition of French Literature in the Making
One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .
In the London of Hédi Kaddour’s Little Grey Lies, translated by Teresa Lavender Fagan, peace has settled, but the tensions, fears, and anger of the Great War remain, even if tucked away behind stories and lies. Directly ahead, as those. . .
One of the greatest services—or disservices, depending on your viewpoint—Bertrand Russell ever performed for popular philosophy was humanizing its biggest thinkers in his History. No longer were they Platonic ideals, the clean-shaven exemplars of the kind of homely truisms that. . .
The best way to review Alejandra Pizarnik’s slim collection, A Musical Hell, published by New Directions as part of their Poetry Pamphlet series, is to begin by stating that it is poetry with a capital P: serious, dense, and, some. . .
Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .
When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .
“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .