One of my favorite parts of this job (aside from seeing our own books in print and on bookstore shelves) is opening the mail and seeing all the new books coming out. Especially when I receive things like the first two volumes of the new Borges series that Penguin Classics is bringing out next April.
These first two volumes—Poems of the Night and The Sonnets, pictured above and below—are coming out just in time for National Poetry Month, and by themselves are pretty amazing collections. Quoting from the jacket copy, Poems of the Night is “a moving collection of the great literary visionary’s poetic meditations on nighttime, darkness, and the crepuscular world of visions and dreams, themes that speak implicitly to the blindness that overtook him late in life.”
And The Sonnets contains, well, all of Borges’s sonnets, many of which are appearing in English for the first time.
Beyond the contents though, check this list of translators included in these volumes: Willis Barnstone, Robert Fitzgerald, Edith Grossman, Kenneth Krabbenhoft, Anthony Kerrigan, Stephen Kessler, John King, Suzanne Jill Levine (who is also the series editor, more below), Eric McHenry, Christopher Maurer, W. S. Merwin, Alastair Reid, Hoyt Rogers, Mark Strand, Charles Tomlinson, Alan S. Trueblood, and John Updike.
Now, about the series: I’d heard about this from John Siciliano and Jill Levine back some time ago, and thanks to the wonderful people at Penguin, I just got some additional info about all five volumes. These are based on the Collected Fiction, Selected Poetry, and Selected Nonfiction volumes that came out a few years ago, but each new volume includes new material as well. Kristen Scharold sent me this info about the next three volumes, which will come out in June of next year:
On Writing constitutes a guide to writing by one of the twentieth century’s most revered writers and literary thinkers. On Argentina constitutes a guide to Borges’s beloved Argentina and Buenos Aires—perfect for the literary traveler. On Mysticism, which is edited and introduced by Borges’s widow, Maria Kodama, is a collection of Borges’ essays, fiction, and poetry that explores the role of the mysterious and spiritual in Borges’ life and writing.
It’s always a good time to read Borges, and I have a feeling I’ll end up reading all five of these volumes over the next year . . . And speaking of Suzanne Jill Levine, here’s an interesting interview with her that recently appeared in Words Without Borders.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .