Ryan Chapman (who totally rocked this podcast about the Pynchon ebooks and whatnot) just emailed me about “The Davids,” an annual competition among Penguin imprints to win a small plastic trophy . . . Here, I’ll let them explain:
Every year Penguin selects the best book videos for The Davids, named after our CEO David Shanks. And in 2013, we’re opening the voting to the public.
So head here to cast your vote. Note that you don’t have to vote in every category.
Of course we strongly, strongly recommend you choose our Thomas Pynchon entry for Best Animated Video. (You would not believe the amount of trash-talking in the offices this week between the imprints.)
Since I’m trying to sweet talk Ryan into doing another podcast this fall wherein we can talk about the new Pynchon novel, Bleeding Edge, I really want him and his Pynchon video to win. So vote!
And keep in mind, that a vote for Pynchon is a vote against Riverhead—which is, um, important, because Riverhead is . . . a bunch of loud-mouthed jerks? (I’ve got nothing. I just want Ryan to win.)
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .