I know I’ve written it before, and will do so again, but the Wolff Symposium is one of the absolute best annual translation-related gatherings. It’s held every June and is centered around the awarding of the Helen and Kurt Wolff Translator’s Prize, which is given to the best translation from German into English published in the previous year. All genres are eligible, but translators can only win once.
Anyway, the symposium took place a few weeks back and was absolutely amazing. Great panels, wonderful to see Ross Benjamin receive the award, very nice tribute to Breon Mitchell re: his new translation of The Tin Drum. (I maybe shouldn’t admit this, but I’ve never read this, although every time I see Breon I swear that it’ll be the next book I pick up . . . And it will be! Soon. Soon . . .)
I was planning on writing up some notes and thoughts and whatever from the day of panels, but well, it’s been a busy time and besides, WBEZ was there to record the whole symposium. And although I can’t imagine many people listening to all of these podcasts, they’re a much better record of what was discussed than anything I could babble on about . . .
If you do decide to listen, you might want to do so in order—at least when it comes to the “Increased Interest in Foreign Fiction?” and “Cultivating Audiences” panels, otherwise my random 15-minute speech at the beginning of the latter panel will make next to no sense . . .
First off is the tribute to Breon Mitchell that included an interview with NY Times journalist David Streitfeld.
(There was another panel with Peter Constantine, Drenka Willen, Susan Bernofsky, Krishna Winston, Ross Benjamin, and Breon Mitchell, but I can’t find the podcast . . . Which sucks! This was a great conversation . . . Maybe I’m just missing something? If anyone knows where this is, please e-mail me.)
Then the panel with Dennis Loy Johnson of Melville House, Daniel Slager of Milkweek, Jeremy Davies of Dalkey Archive Press on An Increased Interest in Foreign Literature?
And then the Cultivating Audiences – Particular Examples, Viable Models? panel that started with my rant and ended with all of us (Susan Harris of Words Without Borders, Susan Bernofsky, and Annie Janusch) talking about technology and reaching readers . . . while my phone buzzed with the dozen or so text messages I received during that panel . . .
Finally, we wrapped up with a
contentious argument about Amazon.com discussion about Publishing Literary Translations and New Publishing Technologies. Dennis Loy Johnson of Melville House, Henry Carrigan of Northwestern University Press, and Jeff Waxman of Seminary Co-op were on this panel, which was a great way to end the day, having moved from a grand appreciation of Breon and the craft of translation to the dirty details of the book business and how all the various segments always feel like their getting screwed. Speaking of screwing, this panel also had one of the funniest exchanges of the day:
Jeff: “Being a bookseller, it’s kind of an unrequited love affair with books where you know that you’re going to get screwed.”
Chad: “That’s not really an unrequited . . . It’s actually just a love affair.”
This then led to a series of sexually charged double entendres . . . Man, those end of the day panels—brilliant!
A couple weeks ago, the Philoctetes Center for the Multidisciplinary Study of the Imagination (one of the best names I’ve ever come across), hosted an interesting event on translation:
Borges once noted that nothing was more central to the “modest mystery” of literature than translation. Across centuries and language barriers, culture survives through translation, and it’s an essential consideration in the art of reading. This panel will explore translation’s role in literary culture, as well as the figure of the translator. Topics for discussion include the nature of the relationship between translation and original writing; the influence of editors and publishers; translators’ aesthetic, political, and psychological concerns; and the role of translation in contemporary global culture.
And what a lineup or panelists! Peter Cole, Peter Constantine, Jonathan Galassi, Edith Grossman, Suzanne Jill Levine, and Qiu Xiaolong . . . And you don’t have to just read about this event—a video of the full 2-hour event is available on the website. (I wish more venues would do this. Sure, this video is really well cut, edited, and produced, but even a down-and-dirty single-shot recording would be interesting to a lot of people.)
The format of this event is really interesting as well. A true roundtable, the guests all sit facing each other, with the audience outside of the circle. Seems much more conducive to interaction than your typical all-in-a-straight-line panel . . .
[Addendum: I’ll second Edie Grossman’s assertion that Macedonio Fernandez was “the most eccentric man who ever lived in the northern or southern hemispheres.” And it’s really cool that one of our authors—Macedonio’s The Museum of Eterna’s Novel comes out next January—was the first thing Edie ever translated.]
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As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .