31 October 14 | Chad W. Post | Comments

This should be titled “airplane reading,” since I’m taking off tomorrow morning for the Sharjah International Book Fair. (If you don’t know already, Sharjah is an emirate very near Dubai. It’s a lot less ostentatious than Dubai though—kind of—and has no booze. Which, yeah.)

Anyway, The Creator came in the other day, and immediately got the attention of everyone in the office. Wakefield Press is one of our favorites, mostly for the very strange, almost unclassifiable books that they do. This one is no exception:

Billed by its author—the pseudonymous Mynona (German for “anonymous” backward)—as “the most profound magical experiment since Nostradamus,” The Creator tells the tale of Gumprecht Weiss, an intellectual who has withdrawn from a life of libertinage to pursue his solitary philosophical ruminations. At first dreaming and then actually encountering an enticing young woman named Elvira, Weiss discovers that she has escaped the clutches of her uncle, the Baron, who has been using her as a guinea pig in his metaphysical experiments. But the Baron catches up with them and persuades Gumprecht and Elvira to come to his laboratory, to engage in an experiment to bridge the divide between waking consciousness and dream by entering a mirror engineered to bend and blend realities. Mynona’s philosophical fable was described by the legendary German publisher Kurt Wolff as “a station farther on the imaginative train of thought of Hoffmann, Villiers, Poe, etc.,” when it appeared in 1920, with illustrations by Alfred Kubin (included here).

The “most profound magical experiment since Nostradamus” is what sold it for me. This sounds so wild, and basically perfect for Halloween . . .

This is translated by Peter Wortsman (who has also translated Musil and Kleist for Archipelago Books), and contains the illustrations from Alfred Kubin.

22 June 10 | Chad W. Post | Comments

The latest addition to our Review Section is a piece by Monica Carter on the Selected Prose of Heinrich von Kleist, which was translated from the German by Peter Wortsman and published by Archipelago Books.

Monica Carter is a very steady reviewer for us, who also serves on the fiction panel for the Best Translated Book award, runs the fabulous site Salonica and works at Skylight Books in L.A.

Always strange to say things like this about mega-famous authors who influenced writers like Kafka and Mann, but it seems like Kleist is undergoing a sort of moment—at least as regards American publishers and readers. In addition to this wonderful collection, Melville House reissued the Martin Greenberg translation of Michael Kohlhaas a few years back as part of their stunning Art of the Novella series.

Here’s the opening of Monica’s extremely positive review:

For as little known as he is, for as long ago as he lived and for a short a time as he was alive, it’s amazing the amount of impacting work German short story writer, poet, dramatist, and essayist Heinrich von Kleist produced during his life time. Born in 1777 and dead of suicide in 1811, Kleist suffered the bane of many famous writers—ridiculed and dismissed during his lifetime but respected and revered once time passed and history decided he was a worthy entry in the annals of literature. Today his plays are considered classic stalwarts of the German theatrical canon and his prose is known to have heavily influenced Kafka and Mann. And once again, the English speaking contingent of world literature can thank Archipelago Books for bring his varied and masterful work to our attention.

The Selected Prose of Heinrich von Kleist is a collection of superbly crafted stories and essays that span cultures and centuries but deftly exposes the universality of human tragedy. Although at first glance the language may feel dated and melodramatic, it is deceptive to label him as a writer with an antiquated style that was only relevant to his era. His style is distinct and was also considered so at the time, and what becomes more evident to the reader as she moves through this collection of prose is that the complexity of his language serves as a respite for the reader from the tension created by the intricate plotting. Once the reader settles into his prose, the language laden sentences that seemingly turn themselves inside out mesmerize us into a leisurely pace that is comforting in its cadence.

Click here to read the full review.

22 June 10 | Chad W. Post | Comments

For as little known as he is, for as long ago as he lived and for a short a time as he was alive, it’s amazing the amount of impacting work German short story writer, poet, dramatist, and essayist Heinrich von Kleist produced during his life time. Born in 1777 and dead of suicide in 1811, Kleist suffered the bane of many famous writers—ridiculed and dismissed during his lifetime but respected and revered once time passed and history decided he was a worthy entry in the annals of literature. Today his plays are considered classic stalwarts of the German theatrical canon and his prose is known to have heavily influenced Kafka and Mann. And once again, the English speaking contingent of world literature can thank Archipelago Books for bring his varied and masterful work to our attention.

The Selected Prose of Heinrich von Kleist is a collection of superbly crafted stories and essays that span cultures and centuries but deftly exposes the universality of human tragedy. Although at first glance the language may feel dated and melodramatic, it is deceptive to label him as a writer with an antiquated style that was only relevant to his era. His style is distinct and was also considered so at the time, and what becomes more evident to the reader as she moves through this collection of prose is that the complexity of his language serves as a respite for the reader from the tension created by the intricate plotting. Once the reader settles into his prose, the language laden sentences that seemingly turn themselves inside out mesmerize us into a leisurely pace that is comforting in its cadence.

But what drives the narrative are the perfect marriage of character and plot. From the beginning of each story, we know what will happen to these characters, yet still we read on because Kleist gives the illusion that hope is just after the turn of the page. A slight altering of a worn maxim can cover Kleist’s characters and their travails—destiny hath no fury like a fate scorned. And scorned they are.

There are the cursed lovers in “The Earthquake in Chile” and “The Betrothal of Santo Domingo,” the mysterious and plagued fortunes in “Saint Cecilia and The Power of Music (A Legend)” and “The Marquise of O . . .” and the ugly side of revenge in “Michael Kohlhaas.” “Michael Kohlhaas” is more of a novella and is the mainstay of the collection. It chronicles the path of a horse trader, Michael Kohlhaas, who is wronged by a local junker and spends the rest of his life seeking vengeance. Of course he loses everything in the process, but Kleist draws this out in a believable manner.

What’s also dazzling about this collection are the topics: unexplained pregnancy, biracial love affairs, and mental disorder. Sign me up. Perhaps the contentious nature of these stories caused hostility toward Kleist during his lifetime, but his unwavering commitment to truth makes his work seem more contemporary and more courageous considering the social mores of the time. His characters are the antecedents to what later became the classic character types in German literature. This innovativeness paired with his fast-paced plotting make him a necessary read for the consummate short story reader or writer.

Finally, the collection closes with two ruminative essays on meditation and art: “On the Gradual Formulation of Thoughts While Speaking” and “On the Theater of Marionettes” are light and astute pieces that display his process of self-reflection. After the intensity of the short stories that precede these essays, their presence and tone gives a welcome insight into the artist himself.

The Selected Prose of Heinrich von Kleist is a work that surprises, unsettles and engages. His language drowns you and the unfortunate fate of his characters enduring the relentless blows of an unforgiving plot keep you tense. These are classic tales from a talented writer whose work refuses to let literature or history to look away.

....
Class
Class by Francesco Pacifico
Reviewed by Vincent Francone

The thing about Class is that I don’t know what the hell to think about it, yet I can’t stop thinking about it. I’ll begin by dispensing with the usual info that one may want to know when considering adding. . .

Read More >

The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

Read More >

A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

Two Lost Souls: on "Revulsion" and "Cabo De Gata"
Two Lost Souls: on "Revulsion" and "Cabo De Gata" by Horacio Castellanos Moya; Eugen Ruge
Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

Read More >

Melancholy
Melancholy by László Földényi
Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

Read More >

The Hatred of Music
The Hatred of Music by Pascal Quignard
Reviewed by Jeanne Bonner

Pascal Quignard’s __The Hatred of Music_ is the densest, most arcane, most complex book I’ve read in ages. It’s also a book that covers a topic so basic, so universal—almost primordial—that just about any reader will be perversely thrilled by. . .

Read More >

Fragile Travelers
Fragile Travelers by Jovanka Živanović
Reviewed by Damian Kelleher

In Gustave Flaubert’s Madame Bovary, Flaubert attempted to highlight the ordinary, tired, and often crass nature of common expressions by italicising them within the text. When Charles, Emma Bovary’s mediocre husband, expresses himself in a manner akin to that of. . .

Read More >