7 November 11 | Chad W. Post | Comments

Spiegel Online has an interesting article about Readmill, a new start-up with the goal of making book reading a “more social” activity:

The goal is to transform book reading into a social activity, bringing together readers via their e-readers, and to grab a share of the booming E-book market. Other companies have their eye on social reading as well, such as the platform LovelyBooks. But Readmill, set to go live soon, wants to take the idea even further.

Both avid readers, Berggren and Kjelkerud have an ambivalent relationship with books. Kjelkerud calls them “somehow cold and unsocial.” Reading is solitary, and anyone who wants to discuss a passage must first shut their book, he explains. Berggren says that even digital books and the internet-connected reading devices haven’t changed things much. “There are many E-book services, but none of them are really social,” he explains. What was missing were good ideas to network books and readers with each other.

Readmill, an intelligent bookmark for e-books, is their answer. The program looks over the reader’s shoulder, keeping a protocol of their progress and showing sections that have been highlighted and commented upon by other readers. This way Readmill members create a semi-public reference list for their books, giving them the possibility of alerting friends to interesting passages for discussion.

Music fans will recognize this principle from Last.fm, a music website that analyzes listening patterns to develop new artist and concert suggestions, in addition to bringing users with similar tastes together. Like Last.fm, Readmill’s software operates on three levels: as a background process for reading applications, as a web service that processes reading habits, and as a reading app for the iPad, where members can upload e-books that aren’t copyright protected.

Also similar to Last.fm, Readmill gets interesting when as many other e-book reading programs and devices as possible feed the Readmill central server with data. By year’s end, Berggren told SPIEGEL ONLINE, the company hopes to be supporting enough reading programs so that it could, theoretically at least, be combined with 80 percent of all e-books.

As I’ve said before, and will likely say again, creating book discovery tools for this Age of Screens is a huge growth market and great opportunity for people looking to get into an exciting new part of the book industry.

In terms of Readmill, this sounds a lot like an automated GoodReads. Which has it’s appeal. Right now, you have to go into GoodReads, report on what you’re reading or about to read, and find friends, etc., etc. I’m a constant user of GoodReads (feel free to “friend” me! My username is simply chadwpost), but I do tend to spend a lot more time on Last.fm, since everything I listen to is automatically “scrobbled” there, thus generating a bunch of recommendations of other bands to check out, etc.

I still think this sort of game is more suited to music than books, since even though I read an absurd amount of stuff (over 80 books a year), I listen to more than 1,000 songs a month, providing way more data about what sorts of things I like, how often I go back to relisten to them, what my trends are over time, so on and forth. With books, I may think about or reread a section of a particular book every couple months, but this info doesn’t show up in GoodReads . . . Any book I give “4-stars” to is of equal weight as another 4-star book. But at Last.fm, I can “love” 100 songs, but of those 100, it knows that I listened to one of them 50 times over the past year, and another only once. It’s all about granularity . . .

Rambling Jack
Rambling Jack by Micheál Ó Conghaile
Reviewed by Vincent Francone

“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“50 pages?”
“Including illustrations.”
“And this—what. . .

Read More >

The Things We Don't Do
The Things We Don't Do by Andrés Neuman
Reviewed by Tiffany Nichols

Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .

Read More >

Private Life
Private Life by Josep Maria de Sagarra
Reviewed by Christopher Iacono

In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:

When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .

Read More >

Dinner by César Aira
Reviewed by Lori Feathers

César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .

Read More >

We're Not Here to Disappear
We're Not Here to Disappear by Olivia Rosenthal
Reviewed by Megan C. Ferguson

Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .

Read More >

The Queen's Caprice
The Queen's Caprice by Jean Echenoz
Reviewed by Christopher Iacono

Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .

Read More >

French Concession
French Concession by Xiao Bai
Reviewed by Emily Goedde

Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .

Read More >