1 July 11 | Chad W. Post | Comments

In this week’s podcast, we talk a bit about authors we “broke up” with. Writers like, say, Philip Roth, who evokes a pretty harsh reaction from Tom . . . Additionally we talk about authors we thought we had given up on, but to whom we keep returning and returning.

Read More...

1 May 10 | Chad W. Post | Comments

This originally appeared on the PEN World Voices blog. I’ll be writing for them all weekend, as will a bunch of other correspondents. So if you can’t be here, you can always check out these posts.

A number of years ago, when I was working for a different publishing house, Robert Coover suggested I take a look at the work of Catalan author Quim Monzo. I had someone do a reader’s report on 100 Stories, but the project sort of fizzled out despite the fact that the samples translated into English were brilliant and hilarious. Fast forward a few years, I’m now at Open Letter, have been to Barcelona (where I fell in love with the city and its culture, and where the people are always smiling and happy), met Quim Monzo, and signed on a bunch of his books, including the novel Gasoline, which we published a few weeks ago.

So I was naturally excited that the first PEN World Voices event I was able to attend was a one-on-one conversation between Quim Monzo and Robert Coover. The two writers have known and read each other for years, and interacted like old friends. (Apparently, they spent hours together before this event talking about everything under the sun, from masturbatory images to sex to how literature is better than life.)

Coover started off the conversation by talking about Quim’s work is so striking for being both incredibly serious (like in the Great Literature sense) and at the same time, so damn funny. Which is spot-on. Quim has the very, very rare talent to be able to infuse his sentences with a sort of charmed humor. It’s not like he writes jokes in the way that some writers jokes and punchlines, it’s different than that. Quim himself put it best in an interview he did some years ago in which he said: “In art, without humour—a subtle and invisible humour—there is nothing worth keeping.” A subtle and invisible humor. That’s it exactly.

As is basically mandatory, they talked a bit about influences, with Quim mentioning Julio Cortazar, Adolfo Bioy Casares, Raymond Queneau, Juan Carlos Onetti, and Samuel Beckett.

Beckett was the perfect example of what both Coover and Monzo found so exhilarating about the possibilities of literature, and about how you can write funny. Coover cited the bit from Malone Dies in which the narrator is trapped in bed and tries to describe what he’s seeing out the window. After two or three lines he exclaims, “enough with this fucking scenery.”

Quim’s Beckett reference was to the part in Molloy where the narrator puts a number of pebbles in his different pockets then describes all the possibilities of moving these pebbles around. (This is a scene that’s always stuck in my mind, and is E.J. Van Lanen’s favorite Beckett bit as well. Weird.) And as Quim said, “after reading that and about all the possibilities of fiction, how can you go back to writing realistic romances about how Jane’s in love and now she’s sad.”

For all the subtly and grace in his writing, Monzo’s amazing with the one-liners and comedic bits. For example, when Quim was younger, his mother discouraged him from reading, saying that “reading so many novels will make you an idiot.” Which is pretty much what Quim tells his son in relation to watching too much TV . . . But both of these things are wrong. “TV is great. There’s a lot of shit on TV, but walk into a bookstore and there’s a lot of shit there too.”

In relation to critcs: “Like Cabrera Infante once said, there are two types of critics. The ones who like your books, who are the good critics. And the stupid critics who think your books are shit.”

The best bit came when Coover said something about how you really can’t write funny things about love. Quim was astounded—“of course you can!”—and went into an amazing rant about the “three words that refer to nothing: god, happiness, and love. Love is being horny in a tie.” Well played, Quim. Well played.

(And for the record, in addition to Gasoline, which is available now, Open Letter will be bringing out Guadalajara—a collection of Quim’s stories—next spring.)

....
The Odyssey
The Odyssey by Homer
Reviewed by Peter Constantine

Now goddess, child of Zeus,
tell the old story for our modern times.

–(The Odyssey, Book I, line 10. Emily Wilson)

In literary translation of works from other eras, there are always two basic tasks that a translator needs. . .

Read More >

I Remember Nightfall
I Remember Nightfall by Marosa di Giorgio
Reviewed by Talia Franks

I Remember Nightfall by Marosa di Giorgio (trans. From the Spanish by Jeannine Marie Pitas) is a bilingual poetry volume in four parts, consisting of the poems “The History of Violets,” “Magnolia,” “The War of the Orchards,” and “The Native. . .

Read More >

Joyce y las gallinas
Joyce y las gallinas by Anna Ballbona
Reviewed by Brendan Riley

This review was originally published as a report on the book at New Spanish Books, and has been reprinted here with permission of the reviewer. The book was originally published in the Catalan by Anagrama as Joyce i les. . .

Read More >

Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World
Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World by Ella Frances Sanders
Reviewed by Kaija Straumanis

Hello and greetings in the 2017 holiday season!

For those of you still looking for something to gift a friend or family member this winter season, or if you’re on the lookout for something to gift in the. . .

Read More >

The Size of the World
The Size of the World by Branko Anđić
Reviewed by Jaimie Lau

Three generations of men—a storyteller, his father and his son—encompass this book’s world. . . . it is a world of historical confusion, illusion, and hope of three generations of Belgraders.

The first and last sentences of the first. . .

Read More >

Island of Point Nemo
Island of Point Nemo by Jean-Marie Blas de Roblès
Reviewed by Katherine Rucker

The Island of Point Nemo is a novel tour by plane, train, automobile, blimp, horse, and submarine through a world that I can only hope is what Jean-Marie Blas de Roblès’s psyche looks like, giant squids and all.

What. . .

Read More >

The Truce
The Truce by Mario Benedetti
Reviewed by Adrianne Aron

Mario Benedetti (1920-2009), Uruguay’s most beloved writer, was a man who loved to bend the rules. He gave his haikus as many syllables as fit his mood, and wrote a play divided into sections instead of acts. In his country,. . .

Read More >