Our 2 for $22 deal (pick 2 Open Letter books for $22 flat, and you’re automatically entered to win a year of free books) is coming to a close, so if you haven’t checked it out—or did and were planning to order later—now is the time . . .
I know it feels like like self-promotion day on Three Percent, but this bit of promotion is important . . . really (at least to those of you who’ve written in asking about it).
The other week we launched an awesomely great deal with a catchy name: 2 for $22. The deal is this:
Choose any 2 books for $22 flat (not even shipping, if you’re in the U.S.). In addition, and you’ll be automatically entered to win a free subscription to a full year of Open Letter titles (or, if you’re already a subscriber, you could get your current subscription extended for an additional free year). So, that’s a potential of 12 beautiful books for $22. Not bad.
Over the past week or so, we’ve heard from a bunch of you that the ordering page was causing them problems, so we pulled it down until we could get it all worked out . . . This brings me to today: It’s all worked out!
You can go here to check it out and maybe pick some books and enter the free subscription drawing.
By the way, this offer is only open until Nov. 15 . . .
Don’t forget that we’re still in the midst of our 2 for $22 deal.
Choose any 2 books for $22 flat, and you’re automatically entered to win a free subscription for a full year of Open Letter titles (or, if you’re already a subscriber, you could get your current subscription extended for an additional free year). That’s a potential of 12 books for $22, which has an original retail value of $$$.
In celebration of our thirteen-month anniversary, we’re offering a special on all twelve of the titles we’ve published so far: from now until November can buy any 2 Open Letter books for $22. And when you do (and hopefully you will—this is a killer bargain!), you’ll automatically be entered into a drawing to win a free one-year subscription.
(So, if you’re one of those lucky people, you could end up with 12 books for $22 . . . )
And if I might make a suggestion: I would highly recommend getting a copy of Jan Kjaerstad’s The Discoverer. The book just came out and is going to be reviewed in the October 25th issue of the New York Times Book Review. (Our first Times review!) And as a sneak preview, next week we’ll be serializing a chunk of the novel on the website . . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .