Our 2 for $22 deal (pick 2 Open Letter books for $22 flat, and you’re automatically entered to win a year of free books) is coming to a close, so if you haven’t checked it out—or did and were planning to order later—now is the time . . .
I know it feels like like self-promotion day on Three Percent, but this bit of promotion is important . . . really (at least to those of you who’ve written in asking about it).
The other week we launched an awesomely great deal with a catchy name: 2 for $22. The deal is this:
Choose any 2 books for $22 flat (not even shipping, if you’re in the U.S.). In addition, and you’ll be automatically entered to win a free subscription to a full year of Open Letter titles (or, if you’re already a subscriber, you could get your current subscription extended for an additional free year). So, that’s a potential of 12 beautiful books for $22. Not bad.
Over the past week or so, we’ve heard from a bunch of you that the ordering page was causing them problems, so we pulled it down until we could get it all worked out . . . This brings me to today: It’s all worked out!
You can go here to check it out and maybe pick some books and enter the free subscription drawing.
By the way, this offer is only open until Nov. 15 . . .
Don’t forget that we’re still in the midst of our 2 for $22 deal.
Choose any 2 books for $22 flat, and you’re automatically entered to win a free subscription for a full year of Open Letter titles (or, if you’re already a subscriber, you could get your current subscription extended for an additional free year). That’s a potential of 12 books for $22, which has an original retail value of $$$.
In celebration of our thirteen-month anniversary, we’re offering a special on all twelve of the titles we’ve published so far: from now until November can buy any 2 Open Letter books for $22. And when you do (and hopefully you will—this is a killer bargain!), you’ll automatically be entered into a drawing to win a free one-year subscription.
(So, if you’re one of those lucky people, you could end up with 12 books for $22 . . . )
And if I might make a suggestion: I would highly recommend getting a copy of Jan Kjaerstad’s The Discoverer. The book just came out and is going to be reviewed in the October 25th issue of the New York Times Book Review. (Our first Times review!) And as a sneak preview, next week we’ll be serializing a chunk of the novel on the website . . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .