Just got an email about this awesome offer from Melville House that I wanted to share for a few reasons.:
From the As-If-The-Cover-Didn’t-Tip-You-Off-Already department: Death and the Penguin by Andrei Kurkov is the perfect example of why the Melville House International Crime series is like no other: It’s political, it’s literary, it’s hilarious, it’s terrifying, and IT DOESN’T TAKE PLACE IN SCANDAVIA.1
To get the word out, for the next four days the ebook version of Death and the Penguin is on sale all over the interwebs for only $3.99.
To make this deal even sweeter if you buy it in the next 48 hours we’ll reimburse the complete cost of your purchase with a gift certificate to our website. All you have to do is buy the ebook, — we recommend from your local Independent Bookstore’s website — and email us your receipt —email@example.com. We’ll reply with a coupon. It’s that simple.
I might be jumping the gun here—currently, the book is stil $14.95 via the Indie Bound website, although the Amazon price is updated—but as soon as you can TAKE ADVANTAGE OF THIS DEAL.
I read this book a number of years ago when it came out from Harvill in the UK and thoroughly enjoyed it. We’re actually going to be featuring the sequel Penguin Lost as part of Read This Next, so you should start preparing now . . .
The idea of giving readers a $3.99 gift certificate is super-awesome as well. And if you look at Melville House’s website, it will take approximately .03 seconds to find something you want to buy.
Coincidentally, L Magazine released their “Best of Brooklyn” lists today, including one for Books & Media that includes this award:
Best Small-Press Branding
How to trick attractive young people into buying reissues and literature in translation? Collect-‘em-all series of jacket-pocket sized titles with clean covers. Their Art of the Novella and Contemporary Art of the Novella now being imitated by New Directions’ Pearls series, the Dumbo publisher has moved into an International Crime line (shades of Europa Editions and, well, large-house trends) and started the Neversink Library for out-of-print classics (including slim, terse Simenons) not already rediscovered by NYRB Classics.
1 Yeah, we all make spelling mistakes. Especially when typing in ALL CAPS which, for some reason known only to Bill Gates and that Jobs guy, seems to circumvent most spellchecking programs. LIVING ON THE EDGE.2
2 Also interesting is that there are over 465,000 instances of SCANDAVIA on the interwebs. Including sites like this, where crazy people can ask batshit questions such as “What is the official language of Scandavia?” I LOVE THE WORLD WIDE WEB.
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .