Here’s the PW review:
Starred Review. Extreme grief permeates Fitzek’s brilliant psychological thriller, a bestseller in his native Germany. When TV psychiatrist Viktor Larenz’s 12-year-old daughter, Josy, who suffers from a number of unexplainable illnesses, vanishes without a trace from her doctor’s office, Larenz’s subsequent search for even the smallest clue to the girl’s disappearance costs him his career and marriage. Four years later, Larenz has retreated to an isolated, storm-prone island, where he’s visited by children’s novelist Anna Glass, a schizophrenic who believes the characters she creates become real. One of those characters bears a striking resemblance to Josy and may have the answer to what happened to her. Unbalanced by his mourning, Larenz emerges as an unreliable but sympathetic character. Is he really losing his mind or is he being gaslighted? Undertones of gothic suspense imbue an unpredictable plot that will remind many of Shutter Island and A Beautiful Mind.
You can click the title above to order the book from Harvard Book Store (our featured bookstore this month), or e-mail Hannah Johnson at johnson at gbo dot org to try and win a free copy . . .
The next GBO Book Pick is Hans Fallada’s Every Man Dies Alone, which we’ll be covering in much greater detail in the near future. In the meantime, you can find out more by visiting (and joining) the GBO Facebook Group.
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
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