18 June 12 | Sarah Winstein-Hibbs | Comments

I’m Sarah Winstein-Hibbs – nicknamed “quantum Sarah” by Chad, who thinks my weird hyphenated last name sounds like some kind of subatomic particle – and I’m an English Literature major at University of Rochester. I’m interning at Open Letter this summer, so I’ll be posting on threepercent throughout June, July, and August. I had the great opportunity to write an upcoming review Liliana Heker’s The End of the Story, a shocking novel on the atrocity of the Argentinian Dirty War. Also watch for a joint review I’m writing with with super awesome co-star Sarah Young, on Italian novelist Alessandro Baricco’s haunting and lyrical new work, Emmaus.

A little bit about me: I love the arts, I love learning about different cultures, I love reading and writing and playing flute. I got interested in Open Letter when I took International Fiction last semester and read Kafka, Borges, Marquez, Nabokov, and Calvino. I’ve also studied Spanish literature and language, so Open Letter speaks to my interests in that regard, as well. Speaking of which, my big summer project will be reading and reviewing a forthcoming anthology of Spanish literature, featuring both renowned and newly-acclaimed authors. In the music realm, I’m a performer and avid fan of classical music. I also serve as co-artistic director for an exciting new project called Sound ExChange Orchestra, an innovative ensemble dedicated to the proliferation of classical music in contemporary American society (click here to read more!) I’m super excited to be involved in Open Letter this summer and am looking forward to sharing lots of good reads and good conversation with you all!

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Astragal
Astragal by Albertine Sarrazin
Reviewed by Tiffany Nichols

Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .

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Live Bait
Live Bait by Fabio Genovesi
Reviewed by Megan Berkobien

When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .

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The Skin
The Skin by Curzio Malaparte
Reviewed by Peter Biello

“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .

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Love Sonnets & Elegies
Love Sonnets & Elegies by Louise Labé
Reviewed by Brandy Harrison

With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .

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Conversations
Conversations by César Aira
Reviewed by Tiffany Nichols

In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .

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Nothing Ever Happens
Nothing Ever Happens by José Ovejero
Reviewed by Juan Carlos Postigo

You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .

The narrative history of. . .

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The Pendragon Legend
The Pendragon Legend by Antal Szerb
Reviewed by P. T. Smith

Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .

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