I’m Sarah Winstein-Hibbs – nicknamed “quantum Sarah” by Chad, who thinks my weird hyphenated last name sounds like some kind of subatomic particle – and I’m an English Literature major at University of Rochester. I’m interning at Open Letter this summer, so I’ll be posting on threepercent throughout June, July, and August. I had the great opportunity to write an upcoming review Liliana Heker’s The End of the Story, a shocking novel on the atrocity of the Argentinian Dirty War. Also watch for a joint review I’m writing with with super awesome co-star Sarah Young, on Italian novelist Alessandro Baricco’s haunting and lyrical new work, Emmaus.
A little bit about me: I love the arts, I love learning about different cultures, I love reading and writing and playing flute. I got interested in Open Letter when I took International Fiction last semester and read Kafka, Borges, Marquez, Nabokov, and Calvino. I’ve also studied Spanish literature and language, so Open Letter speaks to my interests in that regard, as well. Speaking of which, my big summer project will be reading and reviewing a forthcoming anthology of Spanish literature, featuring both renowned and newly-acclaimed authors. In the music realm, I’m a performer and avid fan of classical music. I also serve as co-artistic director for an exciting new project called Sound ExChange Orchestra, an innovative ensemble dedicated to the proliferation of classical music in contemporary American society (click here to read more!) I’m super excited to be involved in Open Letter this summer and am looking forward to sharing lots of good reads and good conversation with you all!
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .