I’m still going to need a few days to process this year’s ALTA conference before I write something more substantial, but I just wanted to say that the conference went even better than expected. The panels were brilliant, David Bellos was incredible, the parties were drunken, and the conversations were stimulating. And nothing went terribly wrong!
(Well, our tattoo plans had to be delayed till this week due to unfortunate timing, but that’s not too tragic . . . We’re still getting the hyphellipses tattoos and will post pics when it happens.)
Anyway, over the next month or so, we’ll be posting videos from the conference. We taped a TON of events and panels for those who couldn’t make it, or are just curious about what goes on at ALTA. It’s going to take a little while to make this happen though, but we will get them up eventually.
In the meantime, if you attended, would you please fill out this survey about the conference? I’m very curious as to what people thought, and I’m sure the Dallas office and next year’s organizers would appreciate some feedback as well.
Over at Literary License, Gwen Dawson has started an interesting survey to look at the influence of lit blogs on book purchasing. She’s going to post the results on February 13th, so you have plenty of time to a) take the survey and b) spread the word.
I’m really interested in seeing how this turns out . . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .