Ryan Chapman (who totally rocked this podcast about the Pynchon ebooks and whatnot) just emailed me about “The Davids,” an annual competition among Penguin imprints to win a small plastic trophy . . . Here, I’ll let them explain:
Every year Penguin selects the best book videos for The Davids, named after our CEO David Shanks. And in 2013, we’re opening the voting to the public.
So head here to cast your vote. Note that you don’t have to vote in every category.
Of course we strongly, strongly recommend you choose our Thomas Pynchon entry for Best Animated Video. (You would not believe the amount of trash-talking in the offices this week between the imprints.)
Since I’m trying to sweet talk Ryan into doing another podcast this fall wherein we can talk about the new Pynchon novel, Bleeding Edge, I really want him and his Pynchon video to win. So vote!
And keep in mind, that a vote for Pynchon is a vote against Riverhead—which is, um, important, because Riverhead is . . . a bunch of loud-mouthed jerks? (I’ve got nothing. I just want Ryan to win.)
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .