27 March 13 | Chad W. Post | Comments

As in years past, we will be highlighting all 25 titles on the BTBA Fiction Longlist, one by one, building up to the announcement of the 10 finalists on April 10th. A variety of judges, booksellers, and readers will write these, all under the rubric of “Why This Book Should Win. You can find the whole series by clicking here. And if you’re interested in writing any of these, just get in touch._

Basti by Intizar Husain, translated from the Urdu by Frances W. Pritchett and published by NYRB Classics

This piece is by Korean translator Deborah Smith. You can follow her on Twitter at @londonkoreanist.

Intizar Husain, despite being widely regarded as the most significant living writer of Urdu fiction, is likely to have flown under the radar for most English-language readers prior to his recent nomination for the Man Booker International Prize. It’s particularly fortuitous, then, that the redoubtable team at NYRB Classics chose to issue Basti earlier this year, the only one of Husain’s five novels to have been published in English translation.

The novel opens with the narrator-protagonist Zakir as a child in the fictional town of Rupnagar, a place of harmony whose existence is predicated upon its timelessness and isolation from the outside world. As he grows up, Zakir forms an ambiguous yet touching attachment to his cousin Sabirah, from whom he is later separated when she chooses to remain behind in India post-partition. Zakir, now living in Lahore with his parents, is nominally a teacher of history but spends the majority of his time bickering with his friends in coffee houses as, outside, political slogans resound as the country descends into the madness of war. As Zakir’s narration comes to a close, the frequently-promised moment of revelation remains, as ever, tantalisingly just out of reach.

The fundamental disjunction between a semi-mythical past of harmonious tolerance and the all-too-present realities of political violence and the horrors of Partition is represented both structurally and linguistically in Basti, and refracted through the increasingly insular consciousness of its protagonist (particularly towards the latter stages of the novel, in which interior monologue plays an increasing role, blended with passages from what we are told is Zakir’s diary). Husain makes use of his vast knowledge of Muslim, Hindu and Buddhist traditions by quoting from their texts and alluding to their histories both classical and modern, weaving a shimmering tapestry of tone and register by turns lyrical, dreamy, prophetic, and fervid.

Frances W. Pritchett’s translation grapples admirably with a novel bursting with ambitious linguistic effects. The frequent repetition of the vocative yar, which Pritchett has chosen to retain, while initially jarring, becomes over the course of the novel an invaluable evocation of place for the reader, who is also, thanks to the sensitivity of the translator, not shut out from the subtle ways in which the characters’ various relationships are constructed and indicated in the original. That this visionary, modernist masterpiece is now made available in a translation which matches the ambition of the original is a truly impressive achievement.

....
The Madmen of Benghazi
The Madmen of Benghazi by Gerard de Villiers
Reviewed by P. T. Smith

Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .

Read More >

The Four Corners of Palermo
The Four Corners of Palermo by Giuseppe Di Piazza
Reviewed by Patience Haggin

The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .

Read More >

Writers
Writers by Antoine Volodine
Reviewed by P. T. Smith

Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .

Read More >

My Brilliant Friend
My Brilliant Friend by Elena Ferrante
Reviewed by Acacia O'Connor

It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .

Read More >

Stealth
Stealth by Sonallah Ibrahim
Reviewed by Christopher Iacono

From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .

Read More >

Miruna, a Tale
Miruna, a Tale by Bogdan Suceavă
Reviewed by Alta Ifland

Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .

Read More >

Kamal Jann
Kamal Jann by Dominique Eddé
Reviewed by Lori Feathers

Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .

Read More >